employed servants who in wealthy convents sometimes outnumbered the members. Enjoying the favor of the rich, the Franciscans preached to them and dined with them and took office in noble households as counselors and chaplains. Some still went barefootamong the poor, holding to their role, and were revered for it, but most now wore good leather boots and were not loved.
Like the pardoner, they bilked the villagers, selling them relics of inspired imagination. Boccaccio’s Friar Cipolla sold one of the Angel Gabriel’s feathers which he said had fallen in the Virgin’s chamber during the Annunciation. As satire, this did not overreach the real friar who sold a piece of the bush from which the Lord spoke to Moses. Some sold drafts on the Treasury of Merit supposed to be stored in Heaven by the Order of St. Francis. Wyclif, on being asked what these parchments were good for, replied: “To coveremustard pottis.” The friars were an element of daily life, scorned yet venerated and feared because they might, after all, have the key to salvation.
The satire and complaints survive because they are written down. They leave an impression of a Church so pervaded by venality and hypocrisy as to seem ripe for dissolution, but an institution so in command of the culture and so rooted in the structure of society does not readily dissolve. Christianity was the matrix of medieval life: even cooking instructions called for boiling an egg “during the length of time wherein you can say a Miserere.” It governed birth, marriage, and death, sex, and eating, made the rules for law and medicine, gave philosophy and scholarship their subject matter. Membership in the Church was not a matter of choice; it was compulsory and without alternative, which gave it a hold not easy to dislodge.
As an integral part of life, religion was both subjected to burlesque and unharmed by it. In the annualFeast of Fools at Christmastime, every rite and article of the Church no matter how sacred was celebrated in mockery. A
dominus festi
, or lord of the revels, was elected from the inferior clergy—the curés, subdeacons, vicars, and choir clerks, mostly ill-educated, ill-paid, and ill-disciplined—whose day it was to turn everything topsy-turvy. They installed their lord as Pope or Bishop or Abbot of Fools in a ceremony of head-shaving accompanied by bawdy talk and lewd acts; dressed him in vestments turned inside out; played dice on the altar and ate black puddings and sausages while mass was celebrated in nonsensical gibberish; swung censers made of old shoes emitting “stinking smoke”; officiated in the various offices of the priest wearing beast masks and dressed as women or minstrels; sang obscene songs in the choir; howled and hooted and jangled bells while the “Pope” recited a doggerel benediction. At his call to follow him on pain of having their breeches split, all rush violently from the church to parade through the town, drawing the
dominus
in a cartfrom which he issues mock indulgences while his followers hiss, cackle, jeer, and gesticulate. They rouse the bystanders to laughter with “infamous performances” and parody preachers in scurrilous sermons. Naked men haul carts of manure which they throw at the populace. Drinking bouts and dances accompany the procession. The whole was a burlesque of the too-familiar, tedious, and often meaningless rituals; a release of “the natural lout beneath the cassock.”
In daily life the Church was comforter, protector, physician. The Virgin and patron saints gave succor in trouble and protection against the evils and enemies that lurked along every man’s path. Craft guilds, towns, and functions had patron saints, as did individuals. Archers and crossbowmen had St. Sebastian, martyr of the arrows; bakers had St. Honoré, whose banner bore an oven shovel argent and three loaves gules; sailors had St. Nicholas with the three children he saved from the sea; travelers had St. Christopher carrying
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