imported Matteo Giovanetti and artists from the school of Simone Martini to paint the walls with scenes from the Bible. The four walls of Clement’s ownstudy, however, were entirely covered by scenes of a noble’s secular pleasures: a stag hunt, falconry, orchards, gardens, fishponds, and a group of ambiguous nude bathers who could be either women or children depending on the eye of the beholder. No religious themes intruded.
At banquets the Pope’s guests dined off gold and silver plate, seated beneath Flemish tapestries and hangings of silk. Receptions for visiting princes and envoys rivaled the splendors of any secular court. Papal entertainments, fetes, even tournaments and balls, reproduced the secular.
“I am living in the Babylon of the West,” wrote Petrarch in the 1340s, where prelates feast at “licentious banquets” and ride on snow-white horses “decked in gold, fed on gold, soon to be shod in gold if the Lord does not check this slavish luxury.” Though himself something of a lapsed cleric, Petrarch shared the clerical habit of denouncing at double strength whatever was disapproved. Avignon became for him “that disgusting city,” though whether because of worldly corruption or the physical filth and smells of its narrow, overcrowded streets is uncertain. The town, crammed with merchants, artisans, ambassadors, adventurers, astrologers, thieves, prostitutes, and no less than 43 branches of Italian banking houses (in 1327), was not so well equipped as the papal palace for the disposal of sewage. The palace had a tower whose two lower stories contained exclusively latrines. Fitted with stone seats, these were emptied into a pit below ground level that was flushed by water from the kitchen drains and by an underground stream diverted for the purpose. In the town, however, the stench caused the ambassador from Aragon to swoon, and Petrarch to move out to nearby Vaucluse “to prolong my life.”
More accessible than Rome, Avignon attracted visitors from all over Europe, and its flow of money helped to support artists, writers and scholars, masters of law and medicine, minstrels and poets. If corrupt, it was also Maecenas. Everybody scolded Avignon and everybody came there. St. Brigitta, a widowed Swedish noblewoman who lived in Rome and eloquently deplored the sins of the times, called the papal city “a field full of pride, avarice, self-indulgence, and corruption.” But corruption takes two, and if the papacy sinned, it was not without partners. In the real world of shifting political balances and every ruler’s constant need of money, popes and kings needed each other and made the necessary adjustments. They dealt in territories and sovereignties, men-at-arms, alliances, and loans. A regular method was the levy for a crusade, which allowed ecclesiastical income within each country to be taxed by its king, who soon came to regard it as a right.
The clergy were partners too. When prelates were gorgeously clad, the lower ranks would not long remain somber. Many were the complaints, like that of the Archbishop of Canterbury in 1342, that the clergy were dressing like laymen, in checkerboard squares of red and green, short coats, “notably scant,” with excessively wide sleeves to show linings of fur or silk, hoods and tippets of “wonderful length,” pointed and slashed shoes, jeweled girdles hung with gilt purses. Worse, ignoring the tonsure, they wore beards and long hair to the shoulders contrary to canonical rule, to the “abominable scandal among the people.” Some kept jesters, dogs, and falcons, some went abroad attended by guards of honor.
Nor could simony stay isolated at the top. When bishops purchased benefices at the price of a year’s income, they passed the cost down, so that corruption spread through the hierarchy from canons and priors to priesthood and cloistered clergy, down to mendicant friars and pardoners. It was at this level that the common people met the materialism of
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