Read Online Wonder Boys by Michael Chabon - Free Book Online Page B
Authors: Michael Chabon
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requests—very seriously. “Dorothy Dandridge, she took pills in, like, 1965. Albert Dekker, 1968, he hung himself. He wrote his suicide note in lipstick on his stomach. I know, weird. Alan Ladd, ’64, more pills, Carole Landis, pills again, I forget when. George Reeves, Superman on TV, shot himself. Jean Seberg, pills of course, 1979. Everett Sloane—he was good—pills. Margaret Sullavan, pills, Lupe Velez, a lot of pills. Gig Young. He shot himself and his wife in 1978. There are more but I don’t know if you would have heard of them. Ross Alexander? Clara Blandick? Maggie McNamara? Gia Scala?”
“I haven’t heard of half of those,” said Hannah.
“You did them alphabetically,” said Crabtree.
James shrugged. “That’s just kind of how my brain works,” he said.
“I don’t think so,” said Hannah. “I think your brain works a lot more weirdly than that. Come on. We have to go.”
On his way out the door, Crabtree shook hands with James yet again. It was not hard to see that Miss Sloviak’s feelings were hurt. Evidently she was not too drunk to remember whatever it was she and Crabtree had been doing upstairs in the guest room, or to feel that this entitled her to dwell within the radius of his attention for at least the remainder of the evening. She refused to let Crabtree take her arm and instead made a point of taking hold of Hannah Green, who said, “What’s that you’re wearing? It smells so familiar.”
“Why don’t you come out with us after the lecture?” said Crabtree to James Leer. “There’s this place on the Hill I always get Tripp to take me.”
James’s ears turned red. “Oh, I don’t— I wasn’t—”
Crabtree gave me a pleading look. “Maybe your teacher can convince you.”
I shrugged, and Terry Crabtree went out. A few moments later, Miss Sloviak reappeared in the doorway, her cerise lipstick neatly applied, her long black hair glossy and blue as a gun, and reproached James Leer with her eyes.
“Didn’t you forget someone, wonder boy?” she said.
W HEN M ARILYN M ONROE married Joe DiMaggio, on January 14, 1954—a week after I turned three years old—she was wearing, over a plain brown suit, a short black satin jacket, trimmed with an ermine collar. After her death this jacket became just another item in the riotous inventory of cocktail dresses and fox stoles and pearly black stockings she left behind. It was assigned by the executors to an old friend of Marilyn’s, who failed to recognize it from photographs of that happy afternoon in San Francisco years before, and who wore it frequently to the marathon alcoholic luncheons she took every Wednesday at Musso & Frank. In the early seventies, when the old friend—a B-movie actress whose name had long since been forgotten by everyone but James Leer and his kind—herself expired, the ermine-collared jacket, shiny at the elbows now, and missing one of its glass buttons, was sold off, along with rest of the dead starlet’s meager estate, at a public auction in East Hollywood, where it was purchased, and presently identified, by an acute Marilyn Monroe fan. Thus it passed into the kingdom of Memorabilia. It made a circuitous pilgrimage through the reliquaries of several Monroe cultists before it jumped sectarian lines and fell into the hands of a man in Riverside, New York, who owned—for example—nineteen bats once swung by Joe DiMaggio, and seven of the Yankee Clipper’s diamond tie bars, and who then, after suffering some financial reverses, sold the errant jacket to Walter Gaskell, who hung it in a special low-humidity section of his bedroom closet, with a foot of space on either side of it, on a special corrosion-free hanger.
“Is that really it?” said James Leer, with all the shy reverence in his voice I’d anticipated on first promising to show him the silly thing. He was standing beside me, in the Gaskells’ silent bedroom, on a fan-shaped patch of carpet that had been flattened by the constant
“I haven’t heard of half of those,” said Hannah.
“You did them alphabetically,” said Crabtree.
James shrugged. “That’s just kind of how my brain works,” he said.
“I don’t think so,” said Hannah. “I think your brain works a lot more weirdly than that. Come on. We have to go.”
On his way out the door, Crabtree shook hands with James yet again. It was not hard to see that Miss Sloviak’s feelings were hurt. Evidently she was not too drunk to remember whatever it was she and Crabtree had been doing upstairs in the guest room, or to feel that this entitled her to dwell within the radius of his attention for at least the remainder of the evening. She refused to let Crabtree take her arm and instead made a point of taking hold of Hannah Green, who said, “What’s that you’re wearing? It smells so familiar.”
“Why don’t you come out with us after the lecture?” said Crabtree to James Leer. “There’s this place on the Hill I always get Tripp to take me.”
James’s ears turned red. “Oh, I don’t— I wasn’t—”
Crabtree gave me a pleading look. “Maybe your teacher can convince you.”
I shrugged, and Terry Crabtree went out. A few moments later, Miss Sloviak reappeared in the doorway, her cerise lipstick neatly applied, her long black hair glossy and blue as a gun, and reproached James Leer with her eyes.
“Didn’t you forget someone, wonder boy?” she said.
W HEN M ARILYN M ONROE married Joe DiMaggio, on January 14, 1954—a week after I turned three years old—she was wearing, over a plain brown suit, a short black satin jacket, trimmed with an ermine collar. After her death this jacket became just another item in the riotous inventory of cocktail dresses and fox stoles and pearly black stockings she left behind. It was assigned by the executors to an old friend of Marilyn’s, who failed to recognize it from photographs of that happy afternoon in San Francisco years before, and who wore it frequently to the marathon alcoholic luncheons she took every Wednesday at Musso & Frank. In the early seventies, when the old friend—a B-movie actress whose name had long since been forgotten by everyone but James Leer and his kind—herself expired, the ermine-collared jacket, shiny at the elbows now, and missing one of its glass buttons, was sold off, along with rest of the dead starlet’s meager estate, at a public auction in East Hollywood, where it was purchased, and presently identified, by an acute Marilyn Monroe fan. Thus it passed into the kingdom of Memorabilia. It made a circuitous pilgrimage through the reliquaries of several Monroe cultists before it jumped sectarian lines and fell into the hands of a man in Riverside, New York, who owned—for example—nineteen bats once swung by Joe DiMaggio, and seven of the Yankee Clipper’s diamond tie bars, and who then, after suffering some financial reverses, sold the errant jacket to Walter Gaskell, who hung it in a special low-humidity section of his bedroom closet, with a foot of space on either side of it, on a special corrosion-free hanger.
“Is that really it?” said James Leer, with all the shy reverence in his voice I’d anticipated on first promising to show him the silly thing. He was standing beside me, in the Gaskells’ silent bedroom, on a fan-shaped patch of carpet that had been flattened by the constant
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