for a decision. Tranh waves him away. The rickshaw man stands on his pedals, sandals flapping against calloused heels and accelerates.
Panic seizes Tranh. He raises his hand again, chases after the rickshaw. “Wait!” His voice comes out as a whisper.
The rickshaw slips into traffic, joining bicycles and the massive shambling shapes of elephantine megodonts. Tranh lets his hand fall, obscurely grateful that the rickshaw man hasn’t heard, that the decision of spending his last baht has been made by some force larger than himself.
All around him, the morning press flows. Hundreds of children in their sailor suit uniforms stream through school gates. Saffron-robed monks stroll under the shade of wide black umbrellas. A man with a conical bamboo hat watches him and then mutters quietly to his friend. They both study him. A trickle of fear runs up Tranh’s spine.
They are all around him, as they were in Malacca. In his own mind, he calls them foreigners, farang. And yet it is he who is the foreigner here. The creature that doesn’t belong. And they know it. The women hanging sarongs on the wires of their balconies, the men sitting barefoot while they drink sugared coffee. The fish sellers and curry men. They all know it, and Tranh can barely control his terror.
Bangkok is not Malacca, he tells himself. Bangkok is not Penang. We have no wives, or gold wristwatches with diamonds, or clipper fleets to steal anymore. Ask the snakeheads who abandoned me in the leech jungles of the border. They have all my wealth. I have nothing. I am no tiger. I am safe.
For a few seconds he believes it. But then a teak-skinned boy chops the top off a coconut with a rusty machete and offers it to Tranh with a smile and it’s all Tranh can do not to scream and run.
Bangkok is not Malacca. They will not burn your warehouses or slash your clerks into chunks of shark bait. He wipes sweat off his face. Perhaps he should have waited to wear the suit. It draws too much attention. There are too many people looking at him. Better to fade like a devil cat and slink across the city in safe anonymity, instead of strutting around like a peacock.
Slowly the streets change from palm-lined boulevards to the open wastelands of the new foreigner’s quarter. Tranh hurries toward the river, heading deeper into the manufacturing empire of white farang.
Gweilo, yang guizi, farang. So many words in so many languages for these translucent-skinned sweating monkeys. Two generations ago when the petroleum ran out and the gweilo factories shut down, everyone assumed they were gone for good. And now they are back. The monsters of the past returned, with new toys and new technologies. The nightmares his mother threatened him with, invading Asiatic coasts. Demons truly; never dead.
And he goes to worship them: the ilk of AgriGen and PurCal with their monopolies on U-Tex rice and TotalNutrient Wheat; the blood-brothers of the bio-engineers who generipped devil cats from storybook inspiration and set them loose in the world to breed and breed and breed; the sponsors of the Intellectual Property Police who used to board his clipper fleets in search of IP infringements, hunting like wolves for unstamped calories and generipped grains as though their engineered plagues of cibiscosis and blister rust weren’t enough to keep their profits high…
Ahead of him, a crowd has formed. Tranh frowns. He starts to run, then forces himself back to a walk. Better not to waste his calories, now. A line has already formed in front of the foreign devil Tennyson Brothers’ factory. It stretches almost a li, snaking around the corner, past the bicycle gear logo in the wrought-iron gate of Sukhumvit Research Corporation, past the intertwined dragons of PurCal East Asia, and past Mishimoto & Co., the clever Japanese fluid dynamics company that Tranh once sourced his clipper designs from.
Mishimoto is full of windup import workers, they say. Full of illegal
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