heart. I had been beyond
questioning
authority. I’d felt unseen by it. But now, looking back, I want to fudge and say it was the
time
, not the place. “But which is more powerful, what you make or what you inherit? Which is more permanent?” I ask. “I realize that we’re talking ridiculous generalities here, but let’s face it, a discussion is always more fun that way.”
“It’s a sign,” he says, “of a person looking for excuses. A hoodlum seeking politics.”
“Perhaps a hoodlum is already politics.”
“You’re no hoodlum.”
“That’s true,” I say, sighing. And in this lie I feel close to him, so grateful to him, so full of pity.
It goes like that. Our talk goes something like that.
It was on a Tuesday, my day off, that I planned to show Sils the money. I cleaned my room. I vacuumed the purple shag carpet, put new Scotch tape on the back of my
Desiderata
poster so it didn’t billow or droop.
Be yourself.… You are a child of the universe.… Be cheerful. Strive to be happy
. “Where’s the part that says, ‘Don’t run with scissors in your mouth’?” Claude once asked, studying it. The previous school year I’d also taped up a
Let It Be
poster, a Spiro Agnew poster (on which I’d inanely scrawled, in eyeliner, “Yeah, right, Spiro Baby!”), and a psychedelic poster that said, in flameglo, swirling script, “Life Is a Gas at 39 Cents a Gallon.” But this summer I had taken them down and left only the
Desiderata
. Now I dusted the shelves and the dressing table with its loosening, fake-wood contact-paper top and its skirt assembled from an old dyed curtain and some tacks. I had a row of colognes from the drugstore downtown: Eau de Lemon, Eau de Love, Oh! de London (Odekerk! Dad, Odekerk!). I had a small stack of articles from
Seventeen
, articlesthat advised you how to prepare for a date in one hour, in fifteen minutes, in five minutes, in thirty seconds. (He’s striding unexpectedly up the walk! What should you do?
Quick! Brush your hair and tie a freshly ironed kerchief around it!
) I had an electric makeup mirror with three settings: Day–Evening–Office. The Office setting was greenish and particularly lurid, and now I leaned into it, hunting in the wilds of the looking glass, examining my skin, not good, not bad, scouting for swellings and clogs and squeezing where I could the watery flan from my pores. Then I swabbed them red and pure with rubbing alcohol. I put on makeup in a large, theatrical way—dark and bright—as if my face were meant to be seen at a great distance.
I set my hair on mist rollers plugged in under the vanity. I put on a scoopneck leotard and my Wrangler shorts, which I had unhemmed the bottoms of in March and carefully combed to form a fringe of paler blue. I looped my macramé belt through the belt loops. I put on some records, Laura Nyro, Carole King,
my life has been a tapestry of rich and royal hue
. I dabbed vanilla extract and Jean Naté Friction pour le Bain on separate wrists, then rubbed them together, my own particular mix. I wanted to be original. I wanted to be
me
! I removed the rollers and brushed the bobby-pin ridges out of my hair. I fell down on my bed and waited. Actually it was only a mattress, frameless on the floor like Sils’s, which is how I wanted it, and I had covered it with a bright orange and pink Indian print spread, a “tapestry,” we called them, which I had bought at the Macy’s mall in Albany the year before with my mother. “Are you sure you want that?” she had asked.
“I’m sure,” I said.
“Well, it’s your room.” The Albany mall was an amazing, bursting palace to me, and I bought badly there, tastelessly, my head dizzy.
I lay on my bed and looked up. I had a pink floodlight in lieu of the regular ceiling fixture and I had affixed a paper beehive-shaped shade to it; probably a fire hazard. What did I care? I owned nothing of value. Everything would turn out fine. Or else—hell—it would burn. I
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