discouraging customers,â Opera Boy says. âNow should you? Because Iâm here to spend everything Iâve got. Down to the last nickel .â
âWe do offer a wide array of delectable, hard-to-find treats,â I tell him. Itâs completely hypocritical of me, and I know it, but I canât help feeling some contempt for his recklessness. He might wind up spending a lot more than money. âHave you tried our strawberry marshmallow butter?â Behind him his friends are fanning out, one or two of them at the opening of each aisle. Theyâre striking poses, pretending to be boxers warming up or sprinters waiting for the shot.
âI live for strawberry marshmallow butter,â he assures me. âWant to show me where it is?â
I shake my head and step back. âI have to stay at the register. You go ahead.â
He doesnât, though. Lottery glances over her shoulder to see whatâs keeping him and then turns back with a knowing sneer.
âSo,â Opera Boy says. Like a lot of people around here heâs probably some crazy mix of nationalities, with golden-brown skin but gray-green eyes. Messy dark hair. âSo would you do it? Chop my head off, over just some little snack pack?â He holds up a cellophane package: crackers made to look like man-in-the-moons accompanied by a mound of spreadable green cheese.
âMe, personally?â I say. âThatâs not really my job, but I guess if everyone else was busy â¦â
âThen youâre not the only one working here?â Heâs still fiddling with his moon crackers, zipping them around like a toy airplane. Every time it flies past his hip, a small involuntary current jolts through my nerves.
âThatâs right, Iâm really not.â I look dramatically toward the shelves, trying to inject a clue into his foggy head. âIâm not alone, but you wonât see my coworkers until itâs too late.â
He nods. âThatâs what I thought. Thereâs something sneaky in here. You can hear the hop .â
âSo maybe instead of being a self-destructive moron,â I suggest, âyou should get the hell out. At least pretend you care about your life?â I have no right to be this mad, but I am. My nails are digging into my palms. He swings the crackers in midair, looping and twirling them. And then his hand dives straight for his pocket. Is he really so desperate to show off? I let out a small shriek and my heart jams into my throat. The pack is gone and his hands are rising again. I expect him to wave them triumphantly in midair, display how empty they are.
And then he laughs, loudly, and his curled right hand flips to show the crackers, tucked behind his wrist where I couldnât see them. Iâd like to slap him. He pulls up the side of his jacket, tugging at the fabric. At first I donât get it, but then I realize: heâs showing me that his pockets are sewed shut with big, bright pink stitches.
âOh, I observe basic shopping precautions, â he says. Lottery is glaring at him again. âOkay, weâll see you in a few.â
I head back to my chair and watch the children at their little game. They move down all the aisles at once, going fast, dodging and weaving as if they were hounded by sniper fire. Theyâre giggling, grabbing random items off the shelves, and then darting forward again, sometimes tossing boxes to one another. Technique, like Lottery said.
Once or twice I get a glimpse of fingertips bounding after them; theyâre looking pretty aggravated. I almost stop worrying. Probably if Opera knows enough to sew his pockets shut, the others do, too. Once I distinctly see a hand feinting toward a girl in Chelseaâs year, Felice, with something silvery clutched in its green glitter pincers. Iâm just about to yell out a warning when the hand drops back, fidgeting, the silver object still in its palm. It
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