theatre with Spainâs well-to-do looking at us like weâre performing monkeys.â
âWeâre performing monkeys in the café cantantes and we get peanuts. Why canât we get peanut plantations? Besides, Federico said you could continue dancing your way.â Salvador ran his fingers through his hair, then stopped and scratched his head. âAh ⦠I understand now.â
Katarina stared at her clasped hands, her chest hollow.
âDear Katarina, the people in those wealthy circles have left the country. Or if theyâve stayed, theyâre not paying attention to flamenco dancers who once shared fancy meals with them. Donât let fears from the past dictate your future.â
âItâs just â¦â She paused for a moment and let logic take over. Staring at the holes in her soles, she admitted, âThe money would be nice.â
âIt would indeed,â he said.
âYou wouldnât have to scrimp and could support your family.â
âThat I could.â Salvador did a terrible job of hiding his smile.
âAnd you took me in when no one else would.â
âThat I did.â
âI owe you a lot.â She placed her hand in his. âYou saved me.â
âIt was the best thing I ever did. Well, apart from marrying my wife and becoming a father.â
Katarina puffed out her cheeks. âI wonât compromise who I am.â
âYou wonât. I wonât.â His eyes widened. âIs that a yes?â
âIâll think about it.â
âSo thatâs yes.â
Laughing, Katarina said, âItâs yes, but just make sure I donât regret it.â
CHAPTER
4
1944âKatarina
Katarina tucked the large bag under her arm as she pulled open the heavy wooden door of Teatro del Arte. She hovered in the foyer, uncertainty washing over her about this latest decision. Salvador had done such a brilliant job of convincing her that this was the right move, she temporarily forgot the self-doubt about her decision-making abilities that had plagued her these last few months. The most sensible thing to do was grab this opportunity with both hands and hang on for dear life. Katarina prayed that clutching the offer didnât mean sheâd lose balance and fall face first.
Standing in the middle of the expanse, she took a moment to familiarise herself with her new theatrical home. Faded red carpet with rips and gaping holes clung sadly to the sweeping staircase, while the balustrade gave the impression someone had used it as target practice. A musty odour mixed with wax itched her nose and she rubbed it with the back of her hand. Layers of dust covered the floor and she used the toe of her shoe to scrape away the muck to reveal a large design of pockmarked marble parquetry. Although the war had officially ended in 1939 when Franco came to power, the destruction and destitution of the Spanish people remained apparent. Many landmarks were destroyed or were in disrepair. She hadnât expected this theatre to be immaculate; then again, she hadnât envisioned it being so ⦠rundown.
âKatarina.â
She recognised his velvety voice as it echoed in the vast foyer. The bag sheâd tucked under her arm slipped to the floor with a thud, small clouds of dust swirling around her feet.
It couldnât be â¦
Scared she could be wrong, but at the same time fearful she was right, Katarina slowly turned. Her eyes took in his tall frame, now broader; his jaw now squarer, his dark eyes still as captivating as they were eight years ago although they held something more ⦠maturity? Experience?
Barely able to breathe, she managed only one word: âRaul.â
They both stepped forward then hesitated. What do you do when someone your heart hasnât forgotten comes back into your life?
âDid you know I would be here?â she asked, her mouth dry.
âI would be lying if I said no.â A faint
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