movement made Sofia nervous, but still she crept forward to see more.
He was heading away from her down the street, picked out in detail by a brief trick of the moon. It allowed her to make out that his hair was clipped short and he was wearing a rough workman’s shirt, which struck her as odd because he moved with the easy assurance and confidence of someone who was used to a position of command. Sofia’s hand relaxed on the knife.
Could it be Vasily?
She almost stepped out into the street and called his name. Except of course it wouldn’t be the name she knew, it would be Mikhail Pashin , the name Anna had said he was using. ‘Mikhail Pashin,’ she whispered, but too softly for anything but the moon to hear. She struggled to subdue a wave of excitement and reined in an unruly surge of hope. Surely she couldn’t be so lucky? She scuttled along the front of the church and, as she peered out into the shadows that were wrapped round the village, her luck held and the moon gave up its flirting behind the clouds and emerged white and full, bathing the street in solid silver.
He was there, ahead of her, clearly outlined, moonlight robbing him of colour, so that he could have been a ghost. A ghost from the past. Is that what you are, Mikhail Pashin?
She saw him turn off the street up a steep rutted track that clung to the hillside, leading up to the vague outline of a long dark building, a form she could only just make out. She was tempted to follow his footsteps but something about him made her certain she would be discovered. There was an alertness about him that, even in the dim light, came off him like sparks.
She sank to the ground, waiting, invisible in the black overhang of the church, her back pressed firmly against the wall to keep her still. Her patience was rewarded ten minutes later when she heard the sound of a horse descending the track, its hooves lively on the dry earth. She exhaled with relief because the rider was the same man. He’d obviously been up to a stable and saddled his horse for an early morning start, his cropped hair and broad shoulders painted silver by the moonlight once again.
But to her surprise, behind him a man on foot was also trotting down the track, a small slight figure, middle-aged but very light on his feet. They were talking in low voices but there was a certain curtness in their manner towards each other that spoke of ill feeling. Sofia’s gaze remained fixed on the rider.
Anna. Her lips didn’t move but the words sounded sharp as ice in her head. I think I’ve found Mikhail Pashin.
Just then the two men reached the point where the rutted track joined the road, and the rider turned abruptly to the left without a word. The second man, the small one, turned right, but not before he had run the palm of his hand lovingly down the massive curve of the horse’s rump as it swung away from him. Then, with his shoulders lifting and falling repeatedly, as if he was trying to uncage a painful tension in his neck, he stood staring after the horse and man.
The only sound in the night was the clink of a bridle and the soft shuffle of hooves in the dirt.
‘Comrade Chairman Fomenko,’ the small man called out sharply, ‘don’t push the horse too hard today. His leg is still sore and needs-’
In response the rider shortened the reins and pushed the animal into a canter and then a gallop. Steadily, man and horse disappeared towards the far end of the village until their outline merged with the night and they were gone.
‘Comrade Chairman Fomenko,’ the small man growled once more, and spat fiercely into the dust. Alone in the street and with the lightness stolen from his step, he headed up the road towards where Sofia was hiding.
By now she was shaking. She slid away into the blackness behind the church and rested her burning cheek against its cool bricks. The rider wasn’t Vasily – or Mikhail Pashin – after all, but someone called Fomenko. Fomenko! Damn the man! And
Roni Loren
Ember Casey, Renna Peak
Angela Misri
A. C. Hadfield
Laura Levine
Alison Umminger
Grant Fieldgrove
Harriet Castor
Anna Lowe
Brandon Sanderson