shoulder.
âOne more thing. Thereâs talk, so watch your step.â
âTalk? Whatâlast nightâ?â
âThat, andâyou know the boat, everybody cooped up. Thereâs just talk about you taking over the det on such short notice. They say you got bounced from another assignment.â
Alanâs face went rigid. âI did. And no reason given.â
Rafe patted his shoulder. âGuys talk. Just let âem.â
Langley, Virginia.
George Shreed was leaning on his metal canes by his office window, watching a hot wind blow fast-food wrappers through the CIA parking lot. He wasnât seeing them; he was only turning his eyes on them, occupying his vision, while his mind, numb, could not shift his focus from his wifeâs death. He thought of himself asa hardass, but he wasnât hard all the way through; somewhere in there, he bled. He had prepared for the death, had used the word, had said it would happen, must happen, was unavoidableâand now he was as devastated as if it had come as a surprise.
His door thumped under somebodyâs knuckles.
âYes.â
Ray Suter came in, first his head, then a shoulder, then half his body. âYou want to be by yourself?â
âCome in, come in.â
âI wanted to say how bad I feel. All of us feel.â
âThank you.â
Shreed hadnât turned around. He could see Suterâs reflection in the window, beyond it, the trees bowing in the hot wind of a June day. Tonight there would be thunderstorms, a cold front, a change. Even in his grief, he found himself thinking that Suter looked different today.
âCan we do anything?â
It was the kind of question that Shreed usually pounced on: What did you have in mind, resurrection? Did you want to hold a seance in the canteen? But the acid had gone out of him for a little while. Instead, Shreed said, âMaybe somebody could plant a tree someplace. No flowers.â
âRight, right. I heard that. The Cancer Society, right. Thereâs a collectionâthe girls are taking it upââ
Shreedâs back moved, straightened. Was he going to make some comment about the futility of collections as an answer to death? He exhaled slowly. âThank them for me.â
âSure. Absolutely. Can I do anything for you? You sleeping?â
Shreed turned, made his way to his desk and leanedthe bright canes against a spot he had used so long that the varnish was worn from the wood. âPick up the slack on the five-year report, if you will; Iâve dragged my feet there. Yeah, Iâm sleeping okay.â He never slept much, anyway. âThereâs a memorial service Thursday. You might let people know.â
âRight. Right, absolutely.â Suter stood there, well into the room now but still somehow not of itâkeeping himself separate. âI feel so helpless.â Yet he didnât look helpless to Shreed; he lookedâ gleeful ?
Shreed shot him a look. Suterâs eyes looked funnyâwas he perhaps hung over? They were too bright, tooâexcited. For an instant, a bizarre thought flashed across Shreedâs mind: He knows. Then it was gone, the idea that Suter could know about his spying too ridiculous to consider.
âIâve got a task for you,â he said when he had sat down. âOne that wonât make you feel helpless. Something youâll enjoy, in factâscrewing an old friend.â He grinned. âAlan Craik.â
âNo friend of mine!â Suter cried.
âOld enemy, then. Whatâs the difference? Craikâs wife is under investigation. Security violation on the Peacemaker project.â
Suter scowled. He had been on the Peacemaker project, too, and had in fact tried without success to get Rose Siciliano into bed.
âI want you to make sure the word gets out that theyâre security risks. Both of themâwhere thereâs smoke thereâs fire, that sort of
Autumn Vanderbilt
Lisa Dickenson
J. A. Kerr
Harmony Raines
Susanna Daniel
Samuel Beckett
Michael Bray
Joseph Conrad
Chet Williamson
Barbara Park