Toad Words

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Authors: T. Kingfisher
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her? It took her three tries to write her own name. Our contract was a verbal agreement because otherwise she’d still be reading it and the prince would be dead of old age.)
      Anyway I gave her voice to an albatross, if you must know. She was tired of endless gliding, had ambitions to be an opera singer. I made her dream come true.
      Made the poor fool of a mermaid’s dream come true too, for that matter. Gave her legs and brought her to the prince’s attention. That last was included free of charge and was never part of the original contract.
      It’s not my fault the prince wasn’t much interested. I imagine you meet a lot of beautiful women when you’re a prince.
      He wasn’t a bad sort, really. He was very polite. He could see she was a few grunions short of a run and he made sure they took good care of her.
      Good thing he was a decent sort. The kind of prince who sees a beautiful girl staggering along the beach, half-naked, unable to talk, with a scarred throat (look, nobody can fix gill slits all the way, I did my best and I’d like to see you do better) moving like she’s drunk and falling down a lot—anyway, the kind of prince who sees a girl like that and says “Oh yeah, I gotta get me some of that!”?
      Yeah, not a nice person. Probably bashes great auks over the head for fun. You don’t want to deal with a prince like that.
      (And yes, I would have stopped him. I don’t like to see creatures suffer, even stupid young ones in love. Maybe especially stupid young ones in love. He wouldn’t have gotten very far. I’ve got some very interesting stuff in the pantry and the King of Gulls owes me a favor.)
      Well, anyway.
      It was a long time ago now. Not by my standards—I’m more or less immortal, just like Great-Aunt Meryl—but by hers. The prince became the king in due time, and he married a smart, good-natured young woman who came with a dowry and a very expedient political alliance.
      But he didn’t forget the young woman on the beach. He was a good king. He took care of her. Even after he died, he made sure of it.
      The girl who used to be a mermaid is old now. She walks on the beach—very slowly these days, for the stones are small and turn underfoot—and she picks her way carefully. They send a strapping young man to walk beside her, to make sure she doesn’t fall.
      Sometimes she smiles up at that young man, the way she smiled up at her prince. I think perhaps she doesn’t remember the difference anymore.
      That’s a happy ending if you like. I see them sometimes, the old woman and the young servant, looking out over the ocean. The tide comes in, the tide goes out.
      Anyway. The story got around a bit differently. Stories always do. Turning your back on a story is like turning your back on the ocean. Everybody adding details, everybody adding lines that fall on the ear like music and never mind where the truth falls by the wayside.
      Everybody wants a hero so they know who to cheer for.
      That’s fine. I don’t expect cheering.
      She doesn’t look unhappy when she walks along the shore. But perhaps some day that young man will look the other way—distracted by a pretty girl’s smile, say—and she’ll make her way down to the water.
      And if she wants—and if she still remembers–she’ll be welcome back here. You can always reverse engineer a gill slit. Who knows, all those mortal years might have been enough to learn wisdom.
      We’ll still be here, under the waves. Nothing much has changed.
      The tide comes in, the tide goes out.
      All the same in the end.

NEVER

    “Pudding,” said Stunky, licking his lips. “Blood pudding, with the greasy crunchy bits around the edges.”
    Myrtle groaned. After a minute, she said, “Cheese.”
    “Cheese?” asked Stunky. “Just cheese?”
    “Just cheese nuthin’, ” hissed Myrtle. “All melty over a slice of bread, or on a cracker, or—or— anything. How long has it been since you had

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