suffocating. Since the plastic surgery that had moved his lips had also made them rigid, Dr. Sinead articulated behind a mask.
âAnny? Anny, please!â
Anny understood that she must quit speculating and return to reality. Ethan had told her what Dr. Sinead represented in Los Angeles, so she prepared herself as if for an audition.
âYes. Here I am. Iâm coming to . . . â
âItâs about time! Can we have a look at your injuries?â
âMake yourself at home.â
Anny realized she was just as curious as the servile assistants who were listening to Sineadâs explanations, because she didnât know anything about her injuries. Legs, arms, ribs, bruises, wounds, gashes, burns: everything was displayed and commented upon. Judging from Sineadâs remarks, Anny had been very lucky to get off so lightly after such an extraordinary plunge.
âThere is a god for artists, Miss Lee.â
âYou think so? In Hollywood there is only one God and his name is Money.â
He laughed politely at the hackneyed joke.
âYou will go on honoring that god, Miss Lee: youâll soon be gracing the set again.â
He thought he was giving her comforting news. But in fact he was informing her that because of her fall she would not be returning to the set of the feature film sheâd been in the middle of making. She was suddenly filled with anxiety: had they stopped production? How much would it cost her? Or, worse yet: had they replaced her?
Upset, she gave a grimace of farewell to the departing medical team. Her heart was pounding. She was soaked in sweat.
âJohanna! Johanna!â
Instinctively, she called out for her press agent. But naturally she wasnât there, and no one heard Anny shouting. Never mind! She pounded the mattress, thumped her fist on the wall, tried to smash the plaster cast that had her leg in traction, and screamed at the top of her lungs, âJohanna!â
Ethan came in, looking worried.
âAnny, whatâs going on? Are you in pain?â
On seeing that fair face, radiant with goodness, Anny did not hesitate for one second.
âYes! Iâm in terrible pain.â
âWhere?â
Her face contorted convincingly, she enumerated all the places on her body that Dr. Sinead had examined, then concluded in a croaking voice, âPlease, help me.â
âI . . . uh . . . â
âKnock me out.â
âNo.â
âPut me in a coma, I canât take it . . . â
âAnny, calm down. Iâll increase the dose of morphine.â
Having gotten her way, Anny nearly abandoned her playacting; fortunately, she knew to hide her joy and she went on sobbing.
âGod, the pain! Iâll never make it . . . â
âYes you will. The painkiller will soon take effect.â
âNo, it hurts too much. Iâm going to die.â
âDonât exaggerate. Everything will be fine.â
âIâm dying! I demand to see my agent.â
âCome on, now. Just let me get the dose . . . â
âI want my agent!â
No matter what Ethan did to try to make her feel better, Anny did not stop moaning until the nurse had written down the agentâs number and promised to contact her so that she would come to Annyâs bedside.
Then she abandoned herself to the painkiller, and drifted delightedly away into the sweet anesthesia.
Â
The following morning, Johanna Fisher, also known as The Shark, was sitting by Annyâs bed in a tight anthracite suit. Her famous toothy smile broke through a heavy layer of foundation.
âMy word, darling, you really had us worried! Well, anyway, apparently youâre going to get better. Iâve been calling for updates every hour for three days. By the way, did you get my flowers? If you donât like them, the office will send you different ones, donât hesitate. Lilacs, roses, peonies, irises, whatever you want. Okay, letâs not waste a
Philip Kerr
C.M. Boers
Constance Barker
Mary Renault
Norah Wilson
Robin D. Owens
Lacey Roberts
Benjamin Lebert
Don Bruns
Kim Harrison