pungent with chemicals. Alcohol, she recognized, and⦠was it ether or chloroform? Those fruity stenches brought Lib back to Scutari, where the sedatives always seemed to run out halfway through a run of amputations.
As she handed Anna up the folding steps, Lib wrinkled her nose against a more complicated reek. Something like vinegar and nails.
âScribbler been and gone, has he?â asked the lank-haired, disheveled man inside.
Lib narrowed her eyes.
âThe journalist whoâs writing the girl up.â
âI know nothing of any journalist, Mr. Reilly.â
His frock coat was blotched. âStand by the pretty flowers, now, would you,â he said to Anna.
âMightnât she sit instead, if sheâll have to hold position for very long?â asked Lib. On the one occasion when sheâd posed for a daguerreotypeâin the ranks of Miss N.âs nursesâsheâd found it a wearisome business. After the first few minutes one of the flightier young women had shifted and blurred the image, so theyâd had to start all over again.
Reilly let out a chuckle and manoeuvred the camera a few inches on the wheeled foot of its tripod. âYouâre looking at a master of the modern wet process. Three seconds, thatâs all. The whole thing takes me no more than ten minutes from shutter to plate.â
Anna stood where Reilly had put her, beside a spindly table, with her right hand resting next to a vase of silk roses.
He tilted a mirror on a stand so a square of light hit her face, then ducked under the black drape that covered his camera. âEyes up now, girlie. To me, to me.â
Annaâs gaze wandered around the room.
âLook to your public.â
That meant even less to the child. Her eyes found Lib instead, and she almost smiled, although Lib wasnât smiling.
Reilly emerged and slotted a wooden rectangle into the machine. âHold that, now. Still as stone.â He rolled the brass circle off the lens. âOne, two, threeâ¦â Then he flicked it shut and shook the greasy hair out of his eyes. âOut you go, ladies.â He pushed the door open and jumped down from the van, then climbed back in with his reeking bucket of chemicals.
âWhy do you keep that outside?â Lib asked, taking Anna by the hand.
Reilly was tugging at cords to let blinds fall over one window after another and darken the interior of the van. âRisk of explosion.â
Lib yanked Anna to the door.
Outside the wagon, the child took a long breath, looking towards the green fields. In sunlight Anna OâDonnell had an almost transparent quality; a blue vein stood out at the temple.
It was a long afternoon back in the bedroom. The girl whispered her prayers and read her books. Lib applied herself to a not-uninteresting article on fungus in
All the Year Round.
At one point Anna accepted another two spoonfuls of water. They sat just a few feet apart, Lib occasionally glancing at the girl over the top of her page. Strange to feel so yoked to another person.
Lib wasnât even free to go out to the privy; she had to make do with the chamber pot. âDo you need this, Anna?â
âNo, thank you, maâam.â
Lib left the pot by the door with a cloth over it. She repressed a yawn. âWould you care for a walk?â
Anna brightened. âMay we, really?â
âSo long as Iâm with you.â She wanted to test the girlâs stamina; did the swelling in Annaâs limbs impede her movement? Besides, Lib couldnât bear to stay cooped up in this room any longer.
In the kitchen, side by side, Rosaleen OâDonnell and Kitty were skimming cream off pans with saucer-shaped strainers. The maid looked half the size of the mistress. âAnything you need, pet?â asked Rosaleen.
âNo, thank you, Mammy.â
Dinner,
Lib said silently,
thatâs what every child needs.
Wasnât feeding what defined a mother from the
Glenn Stout
Stephanie Bolster
F. Leonora Solomon
Phil Rossi
Eric Schlosser
Melissa West
Meg Harris
D. L. Harrison
Dawn Halliday
Jayne Ann Krentz