something in his tone that indicates truth, longing even. âAnd trust me when I say that any and all appropriate measures were taken, including what was necessary regarding the police.â
Before my aunt disappeared, the idea of her and my father being together was so strange. But at this point, I yearn so much for a reality where she is here, and okay, and they are happy together. Maybe cousins could have been sisters, after all. Thereâs no way it could have possibly ended up being worse than what really happened.
âThe way youâve gone about things, your âmeasures,â are pushing Margaret completely over the edge,â I say. âSomething needs to be done for her. She needs to see a therapist, somebody thatâll help make sure she doesnât hurt herself...â
âSheâll be fine,â my father says, without emotion. âThe little girl just needs to suck it up and get a hold of herself.â
The cruelness of his words takes my breath away.
âNo, you donât get it.â Iâm angry now, more than I am scared. How could he say that? Does he not care about Margaretâs well-being at all?
âI get it as much as I need to.â My father pushes the ashtray aside, then picks up the pen he set down previously. âWeâre hosting a dinner for the club here in a few days, and organizing everything for it is killing me. Things are bad enough without Penny here to helpââ He stops short when he realizes what heâs done, revealed his nickname for my aunt without even meaning to. How can he hold her in such loving memory but dismiss Margaret without a second thought?
âMargaret has always been an especially dramatic child,â my father continues. âGive her time, and sheâll stop the destructive behavior.â
So heâs not going to do shit to help; heâs just going to continue putting plans for a dinner party ahead of everything else? My thought circles back around to Margaret, of course. I wonder where she is right now, and what sheâs doing.
âPlease close the door on your way out,â my father says, which stings despite my will for it not to. He can never seem to get rid of me fast enough. âIâve got a meeting with Miranda and a lot of paperwork to get through before the weekend is over.â
âWhatever.â
I slam the heavy door into its frame, creating a loud crash that echoes through the hall and all the way out to the entryway. In the massive silence of the parlor, I sit on a emerald velvet sofa that is positioned between a marble statue of an angel and an extra-tall houseplant. The chandelier that hangs from the vaulted ceiling glitters over my head.
I donât know whether to seek my cousin out or if doing so will only make things worse, push them further. Sheâs probably in that attic right now, knocking on the walls and believing she can hear God knows what. Sheâs in the walls. My cousinâs words echo in my head, and I turn to look at the swirling gold-and-green Victorian wallpaper behind me.
I think about Margaret screaming when she saw the cemetery in the woods, and the desperation in her eyes when she first told me that she was being haunted. I think about how easily my father dismissed my concerns, how eager he was to get back to his work with his hobbies at the estate, his escape.
Or is it something else? I chew on my bottom lip as I remember Margaretâs question about the police, how my father skirted around answering when I asked him just now, how my cousin remarked that we didnât know the real Penelope. Paranoia thickens the air around me, immobilizing me, and all I can do is sit on the emerald velvet couch and bite the skin on my lips as the grand chandelier of the entry room twinkles overhead.
When the clock strikes the next hour, I go into my bedroom to cut three neat little slashes into the flesh on my hip. As I wait for them to stop
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