the thought were somehow audible to Herod, for his expression changed, and what little benignity he had about him seemed to vanish.
‘Please, Mr. Webber, sit down. Also, you may want to remove your weapon from your belt. It can hardly be comfortable where it is, and I’m not armed. I came here to talk.’
Slightly embarrassed, Webber retrieved the weapon and placed it on the table as he took a seat across from Herod. The gun was still close if he needed it. He held his wineglass in his left hand, just to be safe.
‘To business, then,’ said Herod. ‘As I told you, I represent the interests of the Gutelieb Foundation. Until recently, it was felt that we had a mutually beneficial relationship with you: you sourced material for us, and we paid without complaint or delay. Occasionally, we required you to act on our behalf, purchasing at auction when we preferred to keep our interests hidden. Again, I believe that you were more than adequately compensated for your time in such cases. In effect, you were permitted to buy such items with our money, and sell them back to us at a mark-up that was considerably more than an agent’s commission. Am I correct? I am not overstating the nature of our understanding?’
Webber shook his head, but didn’t speak.
‘Then, some months ago, we asked you to acquire a grimoire for us: seventeenth century, French. Described as being bound in calfskin, but we know that was merely a ruse to avoid unwanted attention. Human skin and calfskin have, as we are both aware, very different textures. A unique item, then, to put it mildly. We gave you all of the information required for a successful, pre-emptive sale. We did not want the book to go to auction, even one as discreet and specialized as this one promised to be. But, for the first time, you failed to produce the goods. Instead, it appeared that another buyer got there before you. You handed back our money, and informed us that you would do better on the next occasion. Unfortunately, it is in the nature of the unique that “next time” never applies.’
Herod smiled again, this time regretfully: a disappointed teacher faced with a pupil who has failed to grasp a simple concept. The atmosphere in the kitchen had changed since Herod entered, palpably so. It was not merely the creeping unease that Webber felt at the direction that the conversation was taking. No, it felt to him that the force of gravity was slowly becoming greater, the air heavier. When he tried to raise his glass to his lips, the weight of it surprised him. Webber felt that, if he were to stand and try to walk, it would be like wading through mud or silt. It was Herod who was altering the very essence of the room, releasing elements from within himself that were changing the composition of every atom. There was a feeling of density about the dying man, for dying he most assuredly was, as though he were not flesh and blood but some unknown material, a thing of polluted compounds, an alien mass.
Webber managed to get the glass to his lips. Wine dribbled down his chin in an unpleasant imitation of Herod’s own previous indignity. He wiped it away with the palm of his hand.
‘There was nothing that I could do,’ said Webber. ‘There will always be competition for esoteric and rare finds. It’s hard to keep their existence a secret.’
‘Yet, in the case of the La Rochelle Grimoire, its existence was a secret,’ said Herod. ‘The foundation spends a great deal of time and effort tracking down items of interest that may have been forgotten, or lost, and it is very careful in its inquiries. The grimoire was traced after years of investigation. It had been incorrectly listed in the eighteenth century, and by an arduous process of cross-checking on our part, that error was confirmed. Only the foundation was aware of the grimoire’s significance. Even its owner regarded it merely as a curiosity; a valuable one, possibly, but with no awareness of how important it might
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