wouldnât?â
âGood. Then itâs settled. Iâll trust my gut instincts. Iâll go home and hope nothing else happensââ
âNo, Lucy, youâre going to see Sebastian and tell him everything.â
âIsnât he going to Frankfurt?â
âNo way. Heâsâ¦â Plato frowned, walking her toward the door. He seemed to be searching for the right words. âHeâs on sabbatical.â
âSabbatical? Come on, Plato. Itâs not like heâs some kind of professor. How can heââ
âYouâll have to drive out to his cabin,â Plato said. âItâs not that far. Iâll give you directions.â
Lucy slipped from his embrace and stood rock-still in the middle of the hall. He kept walking, his back to her. She was blinking rapidly, as if that might somehow clear her head.
âI donât want to see Sebastian,â she said.
Plato turned back to her. âHe can help you, Lucy. I canât.â
âI told you, I didnât come here for help.â
âI know why you came here.â His dark, dark eyes seemed to burn into her. âYou promised Colin you would.â
Her throat caught. âPlatoâ¦â
âColin was right to send you to Sebastian. Lucy, I did rescues, and now I keep this company out of hot water. Sebastianâs a son of a bitch in a lot of ways, but heâs the best.â
Lucy stood her ground. âWhat if I drive on out of here without seeing him?â
âThen Iâll have to tell him what you told me.â
She eyed him. âI have a feeling that would be worse.â
He gave her a devilish smile. âMuch worse.â
Â
Platoâs directions were simple. He put Lucy on a dirt road and said to keep going until she couldnât go anymore. Sheâd know when she reached Sebastian.
Lucy wasnât encouraged. However, not finishing what sheâd stupidly started seemed to carry more risks than finishing. If he told Sebastian her story, Plato might exaggerate. Then Sebastian might end up in Vermont, and sheâd really be in a mess. Sebastian might be worse than the feds. He might be worse than the occasional stray bullet through her dining room window.
So why had she dragged herself and her two children out to Wyoming?
The road was winding, dry, hot and dusty. The scenery was spectacular. Wide-open country, mountains rising up from the valley floor, a snaking river, horses and cattle and wildflowers. Despite its other uses, this was still a working ranch.
J.T. loved it. Madison endured. âIâm pretending Iâm Meryl Streep in Out of Africa, â she said. âThat might keep me awake.â
âThe high altitude is probably making you sleepy,â Lucy said.
âIâm not sleepy, Iâm bored.â
âMadison.â
She checked herself. âSorry.â
The road narrowed even more, their car kicking up so much dust Lucy made a mental note to run it through a car wash before taking it back to the rental agency. Finally, they came to a tiny, ramshackle log cabin and small outbuilding tucked into the shade of a cluster of aspens and firs. The road ended.
Lucy pulled in behind a dusty red truck. âWell,â she said. âI guess this is it.â
âOh, yuck.â Madison surveyed the pathetic buildings. âThis is like Clint Eastwood in Unforgiven. â
From Out of Africa to Unforgiven. Lucy smiled. Madison kept the local video store in an uproar trying to track down movies for her. It was an interest one of her teachers, in the school she so loathed, encouraged.
Three scroungy, big mutts bounded out from the shade and surrounded their car, barking and growling as if theyâd never seen a stranger. J.T., his seat belt off, nervously stuck his head up front. âDo you think they bite?â
âI bet they have fleas,â Madison said.
Lucy judiciously decided to roll down her window and
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