Read Online The Very Best of Ruskin Bond, the Writer on the Hill: Selected Fiction and Non-Fiction by Ruskin Bond - Free Book Online
Authors: Ruskin Bond
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grandfather’s.’
‘They don’t look like Grandfather’s hands,’ I said. ‘His hands are all bony.’
‘Yes, but this was sixty years ago.’
‘Didn’t he climb up the wall after the photo?’
‘No, nobody climbed up. At least, I don’t remember.’
‘And you remember well, Granny.’
‘Yes, I remember...I remember what is not in the photograph. It was a spring day and there was a cool breeze blowing, nothing like this. Those flowers at the girl’s feet, they were marigolds, and the bougainvillea creeper, it was a mass of purple. You cannot see these colours in the photo and even if you could, as nowadays, you wouldn’t be able to smell the flowers or feel the breeze.’
‘And what about the girl?’ I said. ‘Tell me about the girl.’
‘Well, she was a wicked girl,’ said Granny. ‘You don’t know the trouble they had getting her into those fine clothes she’s wearing.’
‘I think they are terrible clothes,’ I said.
‘So did she. Most of the time, she hardly wore a thing. She used to go swimming in a muddy pool with a lot of ruffianly boys, and ride on the backs of buffaloes. No boy ever teased her, though, because she could kick and scratch and pull his hair out!’
‘She looks like it too,’ I said. ‘You can tell by the way she’s smiling. At any moment something’s going to happen.’
‘Something did happen,’ said Granny. ‘Her mother wouldn’t let her take off the clothes afterwards, so she went swimming in them and lay for half an hour in the mud.’
I laughed heartily and Grandmother laughed too.
‘Who was the girl?’ I said. ‘You must tell me who she was.’
‘No, that wouldn’t do,’ said Grandmother, but I pretended I didn’t know. I knew, because Grandmother still smiled in the same way, even though she didn’t have as many teeth.
‘Come on, Granny,’ I said, ‘tell me, tell me.’
But Grandmother shook her head and carried on with the knitting. And I held the photograph in my hand looking from it to my grandmother and back again, trying to find points in common between the old lady and the little pigtailed girl. A lemon-coloured butterfly settled on the end of Grandmother’s knitting needle and stayed there while the needles clicked away. I made a grab at the butterfly and it flew off in a dipping flight and settled on a sunflower.
‘I wonder whose hands they were,’ whispered Grandmother to herself, with her head bowed, and her needles clicking away in the soft, warm silence of that summer afternoon.
1960s AND 1970s:
MAPLEWOOD LODGE, MUSSOORIE
A Case for Inspector Lal
I MET I NSPECTOR Keemat Lal about two years ago, while I was living in the hot, dusty town of Shahpur in the plains of northern India.
Keemat Lal had charge of the local police station. He was a heavily built man, slow and rather ponderous, and inclined to be lazy; but, like most lazy people, he was intelligent. He was also a failure. He had remained an inspector for a number of years, and had given up all hope of further promotion. His luck was against him, he said. He should never have been a policeman. He had been born under the sign of Capricorn and should really have gone into the restaurant business, but now it was too late to do anything about it.
The inspector and I had little in common. He was nearing forty, and I was twenty-five. But both of us spoke English, and in Shahpur there were very few people who did. In addition, we were both fond of beer. There were no places of entertainment in Shahpur. The searing heat, the dust that came whirling up from the east, the mosquitoes (almost as numerous as the flies), and the general monotony gave one a thirst for something more substantial than stale lemonade.
My house was on the outskirts of the town, where we were not often disturbed. On two or three evenings in the week, just as the sun was going down and making it possible for one to emerge from the khas-cooled confines of a dark, high-ceilinged bedroom, Inspector
‘They don’t look like Grandfather’s hands,’ I said. ‘His hands are all bony.’
‘Yes, but this was sixty years ago.’
‘Didn’t he climb up the wall after the photo?’
‘No, nobody climbed up. At least, I don’t remember.’
‘And you remember well, Granny.’
‘Yes, I remember...I remember what is not in the photograph. It was a spring day and there was a cool breeze blowing, nothing like this. Those flowers at the girl’s feet, they were marigolds, and the bougainvillea creeper, it was a mass of purple. You cannot see these colours in the photo and even if you could, as nowadays, you wouldn’t be able to smell the flowers or feel the breeze.’
‘And what about the girl?’ I said. ‘Tell me about the girl.’
‘Well, she was a wicked girl,’ said Granny. ‘You don’t know the trouble they had getting her into those fine clothes she’s wearing.’
‘I think they are terrible clothes,’ I said.
‘So did she. Most of the time, she hardly wore a thing. She used to go swimming in a muddy pool with a lot of ruffianly boys, and ride on the backs of buffaloes. No boy ever teased her, though, because she could kick and scratch and pull his hair out!’
‘She looks like it too,’ I said. ‘You can tell by the way she’s smiling. At any moment something’s going to happen.’
‘Something did happen,’ said Granny. ‘Her mother wouldn’t let her take off the clothes afterwards, so she went swimming in them and lay for half an hour in the mud.’
I laughed heartily and Grandmother laughed too.
‘Who was the girl?’ I said. ‘You must tell me who she was.’
‘No, that wouldn’t do,’ said Grandmother, but I pretended I didn’t know. I knew, because Grandmother still smiled in the same way, even though she didn’t have as many teeth.
‘Come on, Granny,’ I said, ‘tell me, tell me.’
But Grandmother shook her head and carried on with the knitting. And I held the photograph in my hand looking from it to my grandmother and back again, trying to find points in common between the old lady and the little pigtailed girl. A lemon-coloured butterfly settled on the end of Grandmother’s knitting needle and stayed there while the needles clicked away. I made a grab at the butterfly and it flew off in a dipping flight and settled on a sunflower.
‘I wonder whose hands they were,’ whispered Grandmother to herself, with her head bowed, and her needles clicking away in the soft, warm silence of that summer afternoon.
1960s AND 1970s:
MAPLEWOOD LODGE, MUSSOORIE
A Case for Inspector Lal
I MET I NSPECTOR Keemat Lal about two years ago, while I was living in the hot, dusty town of Shahpur in the plains of northern India.
Keemat Lal had charge of the local police station. He was a heavily built man, slow and rather ponderous, and inclined to be lazy; but, like most lazy people, he was intelligent. He was also a failure. He had remained an inspector for a number of years, and had given up all hope of further promotion. His luck was against him, he said. He should never have been a policeman. He had been born under the sign of Capricorn and should really have gone into the restaurant business, but now it was too late to do anything about it.
The inspector and I had little in common. He was nearing forty, and I was twenty-five. But both of us spoke English, and in Shahpur there were very few people who did. In addition, we were both fond of beer. There were no places of entertainment in Shahpur. The searing heat, the dust that came whirling up from the east, the mosquitoes (almost as numerous as the flies), and the general monotony gave one a thirst for something more substantial than stale lemonade.
My house was on the outskirts of the town, where we were not often disturbed. On two or three evenings in the week, just as the sun was going down and making it possible for one to emerge from the khas-cooled confines of a dark, high-ceilinged bedroom, Inspector
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