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Chapter 1
    Zurich, Switzerland
     
    The museum was closing. Tourists studied their maps, wondering where to go next; relieved husbands hurried their wives away to the tables they had waiting for dinner. A few students lingered, getting maximum value, until the guards rounded them up.
    Paul Mitchell let himself out of his office and followed the crowds towards the exit, oblivious to the two thousand years of masterpieces on the walls. It had been a long day, and a long night ahead – five pages to get written, he’d promised himself. The thesis was already late. At six months overdue, the university had cut off his funding. In three weeks, they’d kick him out completely if he didn’t hand it in.
    ‘Do you work here?’
    The voice was loud, easily enough to break him out of his thoughts. A big man, standing in front of the doors to the Classical gallery. He was built like a heavyweight, with puffy lips and a mane of dark hair tumbling over the tight shoulders of his jacket. He had a fat gold ring wrapped around his finger, and a blonde in a fake fur coat wrapped around his arm.
    On closer inspection, the blonde was probably fake. The fur, he thought, looked genuine. He’d attended enough museum fundraisers to know money when he saw it. He gave his best apologetic smile. ‘Can I help?’
    The man pointed to the locked doors. ‘You can let us in?’
    ‘I’m afraid the museum’s closed.’ He touched the badge on the lanyard around his neck, warding off the evil look he’d got. ‘We open again at–’
    ‘Please.’ The woman leaned forward. ‘There was fog at the airport.’
    ‘We’ve come to see the Aphrodite,’ said her partner. ‘We need only five minutes.’
    ‘Tomorrow–’
    ‘Tomorrow we must go to Venice,’ said the woman.
    ‘You have the keys?’ the man demanded.
    Paul’s hand drifted to the bulging keychain in his jacket pocket. ‘It’s not that.’
    ‘Of course, I can make a donation to the museum.’ He pulled a fistful of Swiss franc notes out of his trousers. Hundreds and five-hundreds, Paul noticed.
    The woman reached out and touched Paul’s hand. A static charge seemed to shiver up his arm. Her soft fingers pressed through his, wrapping around them. He looked into her eyes: deep and dark.
    ‘They say you have to see her to believe her.’
     
    Paul flicked a switch and shut the door behind them. As the soft lights rose, two dozen faces woke out of the gloom. If they were angry at being disturbed, their stone and marble faces didn’t show it. They’d been sleeping for twenty-five centuries.
    The woman ran down the gallery – a skipping, childish run, oblivious to the grownups looking down. The man sauntered after her. At the far end of the room, where a larger-than-life figure stood on a solitary plinth removed from the other gods, the woman stopped.
    Aphrodite had been well served by the sculptors of the ancient world, Paul knew, but this one was something else. Cast in bronze, the fluid lines of her body shone wetly, as if she’d just risen from the sea. Her hair coiled back in demure braids; a shy arm covered her modesty, and her head was turned down. Unless you stood in one particular place and looked up, when her ivory eyes suddenly blinked open and transfixed you. Then you understood the story of Pygmalion, Paul thought.
    ‘Fourth century BC,’ he said. The words sounded stiff as a typed card. ‘Discovered in a shipwreck off Taranto. We think it’s the earliest nude ever to come to light.’
    The man grunted. ‘I know. I tried to buy it.’
    Paul laughed, then noticed the man wasn’t smiling. The woman reached up, wrapped her arm around the statue’s leg and put her head against it. As if she was listening for something.
    Paul rushed forward. ‘You’re not allowed–’
    A thick arm barred his way.
    ‘What’s the point of beauty if you can’t get your hands on it?’ The hand holding him back grabbed a fistful of his shirt and twisted it tight. Paul struggled, but