suffering is turning red,
Money on which the faces are so lonelyâ¦
I suppose another way would be
To talk about it as if it were a fact
With which weâre all familiar,
I suppose it is a fact with which weâre all familiar,
A network of feelings, darkness, and money, a web
Of plant life and suffering and faces
Where everything is killed and red and lonely.
This is the chief integrating thing about it:
We appear to be at the mercy,
But then again it may be we have not yet come
To the mercy, that we will never arrive at the mercy.
Â
So after I broke the catâs neck with a shovel because it was incurable
the parking lot looked like it was memorizing me.
I thought I heard the afternoon saying just another son of a bitch,
Just another thrillseeker another
Hard-on another nightmare. The infinite
Accent falling on the self seemed
To hold out forgiveness in its placement of some cars
To my left and to my right a shopping cart or something I forget
what it was.
The point is, the point is I might have singled out
Anything in that landscape and said those trees are after me; but
It is the nature of the Atlantic white cedar to invade swamps:
It is not the nature of this cedar to judge me. On
The other side of the damages I saw a man
Standing where the scenes of my childhood had been torn down.
And he was carrying the next day in his hands, and he was awake.
Â
The orthodoxy in complete innocence drifts
Into being by a perfectly legitimate insistence,
And the lonely passion and triumph of spinsters,
The quiet radios in the red teenage heart
That serenade the fields around the car,
The Hojosâ desperate percolation of java
Are part of that legitimate insistence on quality.
But when the wounded man is able to stand up
Thereâs a second when we donât know whether the spear
Comes from him or violates him. Somebody
Get me a witness now cause I got the power
To crumble the orthodoxy with my happiness,
And I speak of things that only the brink of sleep
Has dared to imagine and only belief has seen.
Â
Stake me to the cutthroat breakwater, turnkey woman honey is that
The doorbell? Or is it just a doorbell on TV?
I look in your eyes I get that
Jailing feeling in the misery of your making tofu
Instead ofâbut yet, the tofu has that feeling
Of failing to curdle due to overboiling
While we kissed and kissed amid the fumes and utensils.
I swear to God there are words in the air
But I canât read them, despite
Their shadowsâ being visible on our love.
I talk of stuff 20 streets away because the lights
And liver suffer in a shell. I love you and
I canât break through, I canât, I canât break through
Down there where theyâre trying to destroy the building.
Â
Endeavor is that of seeking to be understood.
At sunset whiten the justice.
I am a stranger and a sojourner
And imprisoned, the former in their whiteâ¦
I have visited the sick
Hospitals announcing we cannot live, while the wild glances.
More than anything, I feel Iâm neither guilty nor innocent,
The one about Father why are you talking wrong.
Iâm sorry about the story of your life,
I am employed or unemployed, I am a turner
Where every word of the voice of the radio
Give me a possession of a burying place.
This is the one where I change my fate
That I shall not have to suffer any change.
FOUR
In Palo Alto
Every day I have to learn more about shame
from the people in old photographs
in secondhand stores, and from the people
in the photographic studies of damage and grief,
where the light assails a window and the figureâs back
is all we seeâor from the very faces
we never witness in these pictures, several of whom
I passed today in their windows, some hesitant,
some completely committed to worthlessnessâ
or even from my own face, handed up suddenly by the carâs
mirror or a glass door. When I was waiting
for a bus,
Debra Miller
Andy McNab
Patricia Briggs
Roderick Benns
Martin Cruz Smith
Robert Gannon
Isabella King
Christopher McKitterick
Heidi Murkoff
Roy Eugene Davis