as he can.â
âThen thereâs my cousin and Eleanor.â
âMiss Gertrude is still in the china room, sir. I donât think the last of the visitors have quite gone yet. And Lady Eleanor is ⦠er ⦠cashing up at the front door.â
âTheyâll both have to be told.â The Earl waved a hand. âThe house is full of police.â
This last was an exaggeration. Inspector Sloan and Constable Crosby had already been swallowed up by the house. And there would, in any case, have been room for the entire Berebury division in the great hall alone.
âYes, sir,â murmured Purvis, who was not paid to contradict the Earl.
âAnd my aunts.â
âWeâre all right for the moment there, sir. They wonât have been out yet. The visitors have hardly gone.â
âIf I know them,â declared Lord Ornum, âtheyâll be abroad any minute now. On the warpath. Looking for damage.â
Purvis moved over towards the window. âWeâve got a little time anyway, sir. Theyâll wait until that coach has gone.â
The Earl sighed heavily. âAnd then, Charles, youâd better find out exactly where my nephew William has been all this week.â
Purvis hesitated. âI think heâs down, sir â¦â
The Earl sighed again. âI thought he might be.â
âSomeone told me that he was in The Ornum Arms last night,â said Purvis uneasily.
âBad news travels fast.â
âYes, sir.â
âThen slip down to his cottage and tell him I want to see him, will you, thereâs a good chap. I think weâd better keep him in the picture in spite of everything.â
âVery well, sir.â
The Earl lifted an eyebrow. âYou donât agree?â
Charles Purvis said carefully, âHeâs a very talkative young man, sir.â
âHe gets that from his father.â
âYes, sir, but it might do some harm â¦â
âHeâs my sisterâs boy, Charles. I canât have him kept in ignorance of trouble here.â
âNo, sir.â
âAfter allââa gleam of humor crept into the Earlâs melancholy countenanceââwe always hear when thereâs trouble there, donât we?â
âWe do indeed,â agreed Charles Purvis grimly.
The first of the experts in death had arrived at Ornum House by the time Inspector Sloan and Constable Crosby got back to the armory. They were the two police photographers, Dyson and his assistant, Williams.
Dyson was standing by the door lumbered about with his equipment.
âNice little place you have here, Inspector.â
âAnd a nice little mystery,â rejoined Sloan tartly.
Dyson looked up and down the two rows of armored figures. âMake quite a pretty picture, this will.â
âIâm glad to hear it.â
âThe lab boys will think Iâve been to the waxworks or something.â Dyson walked forward. âWhich is the one that didnât get away?â
âSecond on the right,â said Sloan, âbut weâll want some of the total setting, too.â
âA pleasure.â Dyson assembled his camera and tripod with a rapidity that belied his flippant approach. His assistant handed him something, there was a pause, and then a quick flash. âDonât suppose these chaps have seen anything brighter than that since Agincourt or something.â
Sloan was inclined to agree with him. There was an overall gloom about the armory that had nothing to do with the presence of the dead.
Williams, Dysonâs assistant, was rigging up some sort of white sheet to one side of the suit of armor for the tilt, circa 1595. He had persuaded Crosby to stand holding one end.
âNeed the reflected light,â explained Dyson.
Sloan nodded. Dyson never complained about his conditions of work. If he needed anything he brought it with him. He and Williams were self-sufficient
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