usually meant one of those little luxuries you couldn't normally obtain on the Station.
I was very surprised to find that I had quite a pile of letters, most of them from perfect strangers, waiting for me after the first rocket arrived. The great majority were from boys of my own age who'd heard about me—or maybe had seen my TV appearances—and wanted to know all about life on the Station. If I'd answered every one, there'd have been no time for anything else at all. What was worse, I couldn't possibly afford to acknowledge them, even if I had the time. The postage would have taken all my spare cash.
I asked Tim what I'd better do about it. He looked at some of the letters and replied:
'Maybe I'm being cynical, but I think most of them are after space-mail stamps. If you feel you ought to acknowledge them, wait until you get back to Earth. It'll be much cheaper…'
And that was what I did, though I'm afraid a lot of people were very disappointed.
There was also a parcel from home, containing a good assortment of candy and a letter from Mom telling me to be quite sure and wrap up tight against the cold. I didn't say anything about the letter, but the rest of the parcel made me very popular for a couple of days.
There cannot be many people on Earth who have never seen the TV serial 'Dan Drummond, Space Detective'. Most of you, at some time or another, must have watched Dan tracking down interplanetary smugglers and assorted crooks, or have followed his never-ending battle with Black Jervis, most diabolical of space pirates.
When I came to the Station, one of my minor surprises was discovering how popular Dan Drummond was among the staff. If they were off duty—and often when they weren't—they never missed an instalment of his adventures. Of course they all pretended that they tuned in for the laughs, but that wasn't quite true. For one thing, 'Dan Drummond' isn't half as ridiculous as many of the other TV serials: in fact, on the technical side it's pretty well done and the producers obviously get expert advice, even if they don't always use it. There's more than a suspicion that someone aboard the Station helps with the script, but nobody has ever been able to prove this. Even Commander Doyle has come under suspicion, though it's most unlikely that anyone will ever accuse him outright…
We were all particularly interested in the current episode, as it concerned a space-station supposed to be orbiting Venus. Blackie's marauding cruiser, The Queen of Night , was running short of fuel, so the pirates were planning to raid the station and replenish their tanks. If they could make off with some loot and hostages at the same time, so much the better. When the last instalment of the serial had ended, the pirate cruiser, painted jet black, was creeping up on the unsuspecting station, and we were all wondering what was going to happen next.
Now of course there's never been such a thing as piracy in space, and as no one except a multi-million combine can afford to build ships and supply them with fuel it's difficult to see how Black Jervis could hope to make a living. This didn't spoil our enjoyment of the serial, but it sometimes caused fierce arguments about the prospects for spatial crime. Peter van Holberg, who spent a lot of his time reading lurid magazines and watching the serials, was sure that something could be done if one were really determined. He amused himself by inventing all sorts of ingenious crimes and asking us what was to stop one getting away with them. We rather felt that he had missed his true vocation.
Black Jarvis' latest exploit made Peter unusually thoughtful, and for a day or so he went around working out just how valuable the contents of the Station would be to an interplanetary desperado. It made an impressive figure, especially when one included the freight charges. If Peter's mind hadn't already been working along these lines, he would never have noticed the peculiar behaviour of the Cygnus
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