learning short as a single heartbeat. All of it.
15
I and Jerusalem are like a blind man and a cripple.
She sees for me
out to the Dead Sea, to the End of Days.
And I hoist her up on my shoulders
and walk blind in my darkness underneath.
16
On this bright autumn day
I establish Jerusalem once again.
The foundation scrolls
are flying in the air, birds, thoughts.
God is angry with me
because I always force him
to create the world once again
from chaos, light, second day, until
man, and back to the beginning.
17
In the morning the shadow of the Old City falls
on the New. In the afternoon—vice versa.
Nobody profits. The muezzin’s prayer
is wasted on the new houses. The ringing
bells roll like balls and bounce back.
The shout of Holy, Holy, Holy from the synagogues will fade
like gray smoke.
At the end of summer I breathe this air
that is burnt and pained. My thoughts have
the stillness of many closed books:
many crowded books, with most of their pages
stuck together like eyelids in the morning.
18
I climb up the Tower of David
a little higher than the prayer that ascends the highest:
halfway to heaven. A few of
the ancients succeeded: Mohammed, Jesus,
and others. Though they didn’t find rest in heaven;
they just entered a higher excitement. But
the applause for them hasn’t stopped ever since,
down below.
19
Jerusalem is built on the vaulted foundations
of a held-back scream. If there were no reason
for the scream, the foundations would crumble, the city would collapse;
if the scream were screamed, Jerusalem would explode into the heavens.
20
Poets come in the evening into the Old City
and they emerge from it pockets stuffed with images
and metaphors and little well-constructed parables
and crepuscular similes from among columns and crypts,
from within darkening fruit
and delicate filigree of hammered hearts.
I lifted my hand to my forehead
to wipe off the sweat
and found I had accidentally raised up
the ghost of Else Lasker-Schüler.
Light and tiny as she was
in her life, all the more so in her death. Ah, but
her poems.
21
Jerusalem is a port city on the shore of eternity.
The Temple Mount is a huge ship, a magnificent
luxury liner. From the portholes of her Western Wall
cheerful saints look out, travelers. Hasidim on the pier
wave goodbye, shout hooray, hooray, bon voyage! She is
always arriving, always sailing away. And the fences and the piers
and the policemen and the flags and the high masts of churches
and mosques and the smokestacks of synagogues and the boats
of psalms of praise and the mountain-waves. The shofar blows: another one
has just left. Yom Kippur sailors in white uniforms
climb among ladders and ropes of well-tested prayers.
And the commerce and the gates and the golden domes:
Jerusalem is the Venice of God.
22
Jerusalem is Sodom’s sister-city,
but the merciful salt didn’t have mercy on her
and didn’t cover her with a silent whiteness.
Jerusalem is an unconsenting Pompeii.
History books that were thrown into the fire,
their pages are strewn about, stiffening in red.
An eye whose color is too light, blind,
always shattered in a sieve of veins.
Many births gaping below,
a womb with numberless teeth,
a double-edged woman and the holy beasts.
The sun thought that Jerusalem was a sea
and set in her: a terrible mistake.
Sky fish were caught in a net of alleys,
tearing one another to pieces.
Jerusalem. An operation that was left open.
The surgeons went to take a nap in faraway skies,
but her dead gradually
formed a circle, all around her,
like quiet petals.
My God.
My stamen.
Amen.
The Bull Returns
The bull returns from his day of work in the ring
after a cup of coffee with his opponents,
having left them a note with his address and
the exact location of the red scarf.
The sword remains in his stiff-necked neck.
And when he’s usually at home. Now
he sits on his bed, with his heavy
Jewish eyes. He
Derek Jeter, Paul Mantell