was waiting.
Brian was helping Joe stand up. âAre you okay, Joe?â he asked. âIt looked like he got you pretty good with that stuff.â
âI think Iâll live,â Joe said, straightening up with a groan. âLong enough to get revenge on that guy with the green medallion.â
âI lost him again,â Frank said, joining them. âEvery time we meet that guy, heâs in a differentcostume and manages to give us the slip.â He looked at his brother and Brian. âSo, what do we do next?â
âWe could check out Morwood,â Joe said. âIf we can find out what room heâs staying in, we can look around for the missing film.â
âI hate to suggest something frivolous,â Brian said. âBut Jack Gillis has been setting up an exhibit of props from the Galactic Saga movies out in the parking lot. It should be open by now.â
âOh, right,â Frank said. âWe saw him in his hovercar this morning.â
âWell, I guess we can take a few minutes off from detective work and look at it,â Joe said. âAnyway, I need some fresh air. Letâs go.â
The Hardys and Brian headed out to the parking lot, toward the green canvas tent. They saw a crowd of fans milling around the tent, going in and out of the open flap at one end.
Frank stepped through the flap and into the tent. The hovercar he had seen that morning was sitting on the ground, with a second hovercar next to it. Surrounding the hovercars were a number of items Frank recognized instantly from the Galactic Saga films, including scale models of various starships.
Suddenly a loud bellow caught Frankâs attention. A live elephant dressed in battle gear stood to the rear of the tent. A masklike helmet draped over its head made it look like some kind of alien monster.
There was a stir of excitement from the fans. Frank looked over and saw Jack Gillis enter the tent andwalk over to the elephant. âHello, everybody,â he said. âI see youâve already met Bruno. He may look like an elephant, but actually heâs a Surriband, one of the giant creatures that live in the desert of the planet Regnay. Itâs from the latest movie, The Secret of Sigma Seven. The one that you unfortunately didnât get to see last night.â
âIs this the elephant that actually plays the part in the film?â someone asked.
Gillis laughed. âNo, itâs not. This is an elephant we borrowed from a local zoo. Weâre a little too far from Hollywood to bring the real elephant along with us. Theyâd probably charge us an extra fare on the airplane. But this is the actual costume that the elephant wears in the movie.â
Frank began examining one of the scale model spaceships. It was remarkably detailed, with tiny windows that even had lights inside them and complex machinery poking out of the engines. It appeared to be made out of wood and plastic, though it had been painted to give it a metallic look.
âAre these models of the ships that you use in the Galactic Saga films?â Frank asked the special-effects director.
âNo,â Gillis replied. âThose are the actual ships. We use special camera techniques to make them look larger in the films.â
âIncredible,â Joe said. âThey look so big in the movies.â
âThatâs the magic of special effects,â Gillis said, spreading his hands to indicate all the exhibits in thetent. âItâs an art that Iâve been learning all my life, ever since I was making home movies as a kid. Something can look quite ordinary off camera, but if you photograph it right, it can look as if itâs literally out of this world. A spaceship, for instance.â
âOr an alien monster,â Frank suggested.
âOr a whole planet,â Joe said.
âAbsolutely right.â Gillis nodded his head. âI think of my job as the creation of worlds, and those
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