Cheshire Catâs smile. It really is Wonderland in here.
We escape into the corridor. The wheelchair manâs low moans follow us, and I jump when he shouts, âYouâre not Maud!â
âNo one should have to live like this,â Adam whispers.
âCan I help you?â A nurse stops us near a bend in the corridor. She holds a small cup of pills in one hand and a battered clipboard in the other.
âWeâre looking for Constance Brooke.â
I try to muffle the desperation in my voice, but Iâm sure she notices. Maybe everyone who comes here is a little desperate.
âYouâre not family.â She studies us over the clipboard.
Adam babbles an explanation about our poetry project.
âRoom fifty-five. Just ahead on the left.â She walks past us, but the professional clack of her heels halts. She lowers the clipboard. âYou know Miss Brooke suffers from Alzheimerâs disease? At her stage, she has lost most of her adult life.â
âWhat does that mean?â Adam asks.
âHer memory has diminished significantly. Most of the time sheâs in the 1920s.â
I do some quick math. âSo she thinks sheâs a child?â
âNot exactly, but she doesnât remember being an adult.â She notices the pills in her hand, and with a tight, frazzled smile, she clacks away.
âI think forgetting your own life might be the saddest thing Iâve ever heard of,â I say.
Adam sighs. âShe wonât remember Wilkie.â
âMaybe we shouldnât . . .â
âMaud!â
The sharp voice from the sunroom drives me forward with the vague sense that we owe Constance Brooke the gift of our right minds. Maybe we wonât learn anything from her, but at least we can talk to her and be people in her present who arenât demented.
The door to room fifty-five is ajar, and I tap lightly.
âYes?â
We walk together into the small room.
Constance Brooke is so frail it hardly seems possible that sheâs alive. Her silver white hair almost gives off light, like LED Christmas lights. Itâs held away from her face by a black velvety headband and curls in wisps to her jaw, which sticks out as if daring her faded skin to wither away. Sheâs neatly dressed in a white blouse with a bow at the neck and a sky blue skirt that flares just past her knees.
âCome in,â she says, her pale cheeks widening into a gentle smile. âDo I know you?â
âNo,â I answer. I donât know what to say.
Adam clears his throat. âIâm Adam. Adam Steiner. This is Rosemary Bennett. Weâre, uh, doing a projectââ
âI live in your house,â I blurt out. This seems more to the point than our stupid poetry assignment.
Constance frowns, her eyes dimming a little. The headband tips slightly as her brow wrinkles in confusion. âMy house?â Her voice is wispy like her hair, as if she doesnât have enough breath for speech. âBut my house is gone. Destroyed in the flood. At the new moon.â
âNo, I donât live on the island,â I explain. âI live in the house you moved to after the flood. On Pear Tree Lane.â
âPear Lane?â She frowns.
âPear Tree Lane.â
She closes her eyes, as if looking for the house in her mind. When she opens them, her face is blank. She notices us. Her paper cheeks arc into soft folds as she smiles. âHello. Do I know you?â
No. You donât know us. You donât even know yourself.
Adam speaks slowly, carefully. âIâm Adam. This is Rosemary. We were asking about your house. Your house on Pear Tree Lane.â
She shakes her head. âIâm sorry. You must have the wrong person. I lived on the island. A lovely stone house. Gone now.â
âShe doesnât remember,â I murmur.
âMiss Brooke,â Adam presses. âCould you tell us about
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