and more blank. She keeps turning.
Adam says, âIt seemed like there wasnât any more writing in the book, and then there was . . .â He trails off, confused.
The image of blotchy cursive haunts me, but what did it say? âWriting appeared,â I affirm. âAnd then it was gone.â
Constance nods sympathetically as she turns page after page. âYes, it happens like that.â
â
What
happens?â Adam and I ask together.
She keeps turning pages. âNothing and more nothing, and then words come and you remember . . .â
âWhat?â Adam asks. âWhat do you remember?â
âNothing,â she says in a monotone. âIt disappears.â
âIs she describing the diary or her mind?â I whisper.
A yellowed page rests against Constanceâs palm. âSo old,â she murmurs. âYou can feel that this page was once something living. It has life in it still, but also decay.â
âYou remember the book,â Adam observes.
âThe false codex,â she murmurs. âHow could I forget?â
âWhatâs a false codex?â I ask.
âA foolishness more than a lie,â she sighs. âIf there is a bear in Shakespeare and here is a bear, would you conclude that it must be Shakespeareâs bear? Of course not. Foolishness.â
âBear?â I frown at Adam. âWhere is there a bear?â
She tips her head up and searches my face. In the searching, she seems to lose her way, and her eyes drift to the dish at her side. âWould you care for some candy?â Her arm extends toward the dish.
âNo, thank you.â
âRosie, look.â Adam points to the open book. My notes, unchanged, easy to read, sit at the top of the page.
Juvenilia. Mom died in flu pandemic.
âIt doesnât make any sense,â I exclaim. âWhat I wrote is here, but the other writing . . .â
Constance presses her skeletal hands against her eyes and breathes out, a long slow exhale. âVoid and nothing,â she says through her breath.
âWhat is that?â I ask. âWhat does that mean?â
She doesnât respond. She starts turning pages again. Slow. Steady. The only sound in the bright room is the gentle movement of parchment, a dry sound, like dead leaves.
âMy hands remembered the way,â Constance says, quietly triumphant. Her bony fingers scrabble against the page.
âItâs folded in!â I cry out.
Adam and I huddle over the book. I reach into the crease of the binding and fumble for an edge. Find it. I peel the page open. Like one of those foldouts in a little-kid book that opens up to show a bigger picture or a map, only thereâs no picture here.
There are words. Six lines of faded handwriting. A poem.
âIâm sorry,â Constance whispers.
âNo!â Adam grins. âThis is amazing! Thank you!â
The poem is in the same old-fashioned writing as the list of herbs. It will take some work to figure out what it says.
âDid you write this?â I ask.
Constance shakes her head. Her green eyes swim with tears. âIâm sorry. I knew better.â
âItâs okay,â I reassure her, though Iâm not sure what she means.
âMy hands remembered the way,â she says again, and she turns her hands over and stares at them with wonder.
Six
I N THE CAR, Mom pumps us for information about the visit.
âYou were right,â I tell her. âHer memory is really bad. She was nice to us . . .â
âKept offering us candy,â Adam interjects.
âBut she didnât make any sense. She said this really weird thing about a bear in Shakespeareââ
âDid she?â Mom perks up. âThat actually does make sense. There is a bear in Shakespeare.â
âThere is?â Adam and I exclaim in unison.
âYes, itâs in
The Winterâs Tale.
You know there arenât a
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward