The Pharos Objective
two brutal days and nights. People swam in and out of his vision, in and out of his consciousness, darting around the hotel room. But other times he was left extremely lucid, if unable to speak or move. He remembered his mother appearing frightened at first, then increasingly haggard. A pale face wavering in the watery blur of his room, a blur in which he could see every detail: the petals in the flowery curtains, the watermarks on the stained wallpaper, the cracks in the ceiling that mirrored the spider web lines in his mother’s skin, and the red jagged lines against the whites of her eyes.
    Once, as Caleb tried taking a sip of water from the bedside cup in the middle of the night, he felt another presence. He saw a dark figure standing beside the rectangular outline of the door, head bowed, long arms at his side. Menacing, yet motionless. He was a blur, a melding of form and shadow, darkness and deep tones of gray and green. A low mumbling emanated from his throat, but in Caleb’s fevered state the words meshed into gibberish that echoed off the walls. Caleb trembled, and saliva dribbled down his chin as fresh chills ran over his body. Pajamas formerly stifling now felt like frost-covered rags. And the presence, whatever or whoever he was, appeared to be pointing at him and trying to speak. Then the door opened and blessed light stabbed inside, chasing away the image. Caleb was at the same time grateful and frustrated.
    Helen entered and curiously paused on the threshold, as if she had caught the scent of something familiar, yet impossibly frightening.
    Caleb fell back against the soaked pillow, the room spun, and he drowned in a frothing whirlpool of dreams . . .
    . . . as he grips a wooden rail on the prow of a ship heaving upon turbulent waves. The surf pounds against great rocks, and only by furious rowing do the men manage to pull up to the embankment. And with a shout of thanks to Triton, they scramble overboard.
    The rain spits upon them as they jump into the shallows and trudge to shore. His cloak is drenched, his armor unbearably heavy. Titus—his name is Titus—looks up as the others rush past, and there he sees it for the first time up close: a hulking shadow, black against the churning clouds, a brooding tower defying the angry storm. Far, far above, the seething flame of its beacon burns against the swirling winds, and the great mirror sends a crimson beam through the pelting rain, stabbing over the sea through the infinite folds of night.
    Titus hurries forward with the others, his legion part of a small team of reinforcements for Caesar and his personal troops. In the pounding surf, the howling wind and the driving rain, even the sound of his own boots upon the granite stairs are muffled. He runs between two immense statues, an old king and queen greeting arrivals, then into a dark courtyard. Once more he turns his face up to the merciless rain and has the impression that the glowing tip of the Pharos is tickling the thunderclouds until they erupt in a laughing cacophony of light and sound.
    Inside, the men shake off their cloaks, remove their helmets and dry their faces. Their leader, Marcus Entonius, orders Titus to follow him into a nearby doorway while the others set about their tasks. Hastening to obey, Titus has time only for a glance around the torch-lit interior to notice the winding ramp, the weathered statues clinging to the precipitous walls, the central shaft and the cauldron ready with oil.
    He follows Marcus, trotting close to his torch as he is led through a winding labyrinth of passageways, one door leading to another exactly the same. It seems they double back, then forward again, before they finally descend a small ramp and turn into a tunnel-like chamber that drops sharply to a spiral staircase.
    The stairs descend endlessly. The steps feel worn, as if water has coursed through this shaft for centuries. After circling for what seems like hours, breathing in the acrid smoke from

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