trained herself to sleep without turning over. I sat on it and after a momentâs doubt, Bill joined me. I asked if she was at the Slade too.
âYes. Was Verona? We donât tend to socialise much with the first-year people and Iâve been busy. First commission.â
âYou say this was her room?â
âThatâs right. I was sharing with somebody, but when I got this commission I needed somewhere to work on my own. I heard on the grapevine that this was vacant so in I came. Serious mistake. Itâs like trying to work in the middle of Trafalgar Square.â
âOn the grapevine? Can you remember how exactly?â
âNot sure. I think I heard about it from a woman who went to life class with somebody who knew the man they call Rizzoâ¦â
âThe aristocratic Hungarian anarchist?â
She snorted. âEgoist, you mean.â
Bill said unexpectedly, âI thought his painting was good.â
âOh he paints well enough. Heâd be even better if he stopped posturing and did some work.â
I asked, âAnd Toby?â
Another snort. âNo talent whatsover. He should go home and be a vicar, which is what his father is, wouldnât you have guessed.â
âDid you get the impression that Toby was in love with Verona?â
Janie looked at me as if Iâd asked about the habits of warthogs.
âNot interested. Even if I were, there wouldnât be any point in this house.â
Bill asked why.
âLike trying to draw a map of a desert in a sandstorm. Always people coming and going, shouting at each other, drunk or worse half the time.â
âWorse?â
Janie picked up another brush and drew an outline of a leaf.
âSmoking. Going to China, Rizzo calls it. First time I heard it, I said would he bring me back some calligraphy brushes.â
I said, âOpium, you mean?â
She nodded.
Bill said, âIt seems a funny sort of place for a vicarâs son.â
Or for a commodoreâs daughter, come to that.
âOh, Iâm sure Toby thinks heâs seeing life. Heâll grow out of it.â
Grow out of life, did she mean? Which brought us back to Verona. I was going to ask another question, but Bill got in first.
âThe man they call Rizzo had done a drawing of her. Do you think he was attracted to her?â
âWhatâs the connection? He spent days at a hospital once painting a gangrenous foot.â
Bill persisted. He was good at that. âDo you think heâs the kind of man women find attractive?â (Had he picked up that rogue thought in me? I hoped not.)
âPerhaps, if theyâve got no sense. Rizzo thinks love is a bourgeois affectation. I expect he offered to deflower her.â
Bill blinked, but rallied. âWhy do you think so?â
âHe did it to me the first time we met â offered, that is. He says any virgin over fifteen years old is an offence against nature.â
âWhat did you do?â
âPoured a bottle of turps over him. I shouldnât have reacted like that. Waste of good turps.â
She went on calmly painting the flower. Bill seemed to have run out of questions, so I came in with mine.
âYou say you moved in here three weeks ago. That would be near the start of May?â
âMonday May the fourth.â
Janie was as precise about dates as in her painting. As far as I could remember, Verona had last written to her mother the day before, May the third, saying she was well and working hard. Thereâd been nothing said about moving.
âAnd you got the impression that Verona had moved out for good, not just gone away for a while?â
âNobodyâs that definite about anything here, but I certainly got the impression it was vacant for the foreseeable future or I shouldnât have taken it. I must say I was annoyed, though, to find sheâd left some of her things here.â Bill glanced at me. I asked, âWhat sort
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