The Nightmare Factory

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Authors: Thomas Ligotti
vacant, neutral atmosphere common to all funeral homes, the same in my hometown as in the suburb outside New York (“Good riddance, Hubby”) where I’m now secluded.
    I strolled into the proper room unnoticed, another anonymous mourner who was a bit shy about approaching the casket. Although I drew a couple of small-town stares, the elderly, elegant author from New York did not stand out as much as she thought she would. But with or without distinction, it remained my intention to introduce myself to the widow as a childhood friend of her deceased husband. This intention, however, was shot all to hell by two oxlike men who rose from their seats on either side of the grieving lady and lumbered my way. For some reason I panicked.
    “You must be Dad’s Cousin Winnie from Boston. The family’s heard so much about you over the years,” they said.
    I smiled widely and gulped deeply, which must have looked like a nod of affirmation to them. In any case, they led me over to “Mom” and introduced me under my inadvertent pseudonym to the red-eyed, half-delirious old woman. (Why, I wonder, did I allow this goof to go on?)
    “Nice to finally meet you, and thank you for the lovely card you sent,” she said, sniffing loudly and working on her eyes with a grotesquely soiled handkerchief. “I’m Elsie.”
    Elsie Chester, I thought immediately, though I wasn’t entirely sure that this was the same person who was rumored to have sold kisses and other things to the boys at North Sable Elementary. So he had married her , whaddaya know? Possibly they had to get married, I speculated cattily. At least one of her sons looked old enough to have been the consequence of teenage impatience. Oh, well. So much for Preston’s vow to wed no one less than the Queen of Nightmares.
    But even greater disappointments awaited my notice. After chatting emptily with the widow for a few more moments, I excused myself to pay my respects at the coffinside of the deceased. Until then I’d deliberately averted my gaze from that flower-crazed area at the front of the room, where a shiny, pearl-grey casket held its occupant in much the same position as the “Traveling Tomb” racer he’d once constructed. This part of the mortuary ritual never fails to put me in mind of those corpse-viewing sessions to which children in the nineteenth century were subjected in order to acquaint them with their own mortality. At my age this was unnecessary, so allow me to skip quickly over this scene with a few tragic and inevitable words…
    Bald and blemished, that was unconsciously expected. Totally unfamiliar, that wasn’t. The mosquito-faced child I once knew had had his features smushed and spread by the years—bloated, not with death but with having overfed himself at the turgid banquet of life, lethargically pushing away from the table just prior to explosion. A portrait of lazy indulgence. Defunct. Used up. The eternal adult. (But perhaps in death, I consoled myself, a truer self was even now ripping off the false face of the thing before me. This must be so, for the idea of an afterworld populated with a preponderance of old, withered souls is too hideous to contemplate.)
    After paying homage to the remains of a memory, I slipped out of that room with a stealth my Preston would have been proud of. I’d left behind an envelope with a modest contribution to the widow’s fund. I had half a mind to send a batch of gaping black orchids to the funeral home with a note signed by Laetitia Simpson, Preston’s dwarfish girlfriend. But this was something that the other Alice would have done—the one who wrote those strange books.
    As for me, I got into my car and drove out of town to a nice big Holiday Inn near the interstate, where I found a nice suite—spoils of a successful literary career—and a bar. And as it turned out, this overnight layover must take us down another side road (or back road, if you like) of my narrative. Please stand by.
    A late-afternoon

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