like one of the dust motes in the sunlight.
The small group at the far side of the room began once more to swarm and head towards him. It moved like a school of fish or a flock of birds at dusk. Having no desire to be near it, Dorrigo made down the length of bookshelves closer to the street windows. But like birds or fish, the swarm halted as suddenly as it had begun and formed a cluster a few steps away from the bookshelves. Sensing some were glancing his way, he stared more intently at the books.
And when he looked up again he realised why the swarm had moved. The woman with the red flower had walked over to where he stood and now, striped in shadow and light, was standing in front of him.
2
HER EYES BURNT like the blue in a gas flame. They were ferocious things. For some moments her eyes were all he was aware of. And they were looking at him. But there was no look
in
them. It was as if she were just drinking him up. Was she assessing him? Judging him? He didn’t know. Maybe it was this sureness that made him both resentful and unsure. He feared it was all some elaborate joke, and that in a moment she would burst out laughing and have her ring of men joining in, laughing at him. He took a step backwards, bumped into the bookcase and could retreat no more. He stood there, one hand jammed between him and a bookcase shelf, his body twisted at an awkward angle to her.
I saw you come into the bookshop, she said, smiling.
Afterwards, if asked to say what she looked like, he would have been stumped. It was the flower, he decided finally, something about her audacity in wearing a big red flower in her hair, stem tucked behind her ear, that summed her up. But that, he knew, really told you nothing at all about her.
Your eyes, she said suddenly.
He said nothing. In truth, he had no idea what to say. He had never heard anything so ridiculous.
Eyes?
And without meaning to, he found himself returning her stare, looking at her intently, drinking her up as she was him. She seemed not to care. There was some strange and unsettling intimacy, an inexplicable knowledge in this that shocked him—that he could just gaze all over a woman and she not give a damn as long as it was
him
looking at her.
It was as dizzying as it was bewildering. She seemed a series of slight flaws best expressed in a beauty spot above her right lip. And he understood that the sum of all these blemishes was somehow beauty, and there was about this beauty a power, and that power was at once conscious and unconscious. Perhaps, he resolved, she thinks her beauty allows her the right to have whatever she wants. Well, she would not have him.
So black, she said, now smiling. But I’m sure you get told that a lot.
No, he said.
It wasn’t entirely true, but then no one had ever said it exactly how she had just said it. Something stopped him from turning away from her, from her outlandish talk, and walking out. He glanced at the ring of men at the far end of the bookcases. He had the unsettling sensation that she meant what she said, and that what she said was meant only for him.
Your flower, Dorrigo Evans said. It’s—
He had no idea what the flower was.
Stolen, she said.
She seemed to have all the time in the world to appraise him, and having done so and found him to her liking, she laughed in a way that made him feel that she had found in him all the things most appealing in the world. It was as if her beauty, her eyes, everything that was charming and wonderful about her, now also existed in him.
Do you like it? she asked.
Very much.
From a camellia bush, she said, and laughed again. And then her laugh—more a little cackle, sudden and slightly throaty and somehow deeply intimate—stopped. She leaned forward. He could smell her perfume. And alcohol. Yet he understood she was oblivious to his unease and that this was no attempt at charm. Or flirting. And though he did not will it or want it, he could feel that something was passing between them,
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