Come hunting! We can mount you.â
âIâm afraid I donât ride. Otherwise Iâd like to.â
âNever mind! Listen, we love you, we donât care about things like that, nor does the horse! And besides youâve a great leg for a boot, lover, hasnât he, Helen? Truth.â
âTell him, Shamus,â Helen said quietly. âTell him or I will.â
âAnd in the eveningââ his enthusiasm for his new friend was rising with every image ââcome the evening weâll play mah-jongg, and you shall read poetry to us and tell us all about the Bentley. No need to dress up, black tie will do. And weâll dance. Nothing grand, just twenty couples or so, the County and a few earls to stiffen them, donât you know, and when finally the last coach has teetered drunkenly down the driveââ
âShamus!â
The next moment she had crossed the room and was standing before Cassidy, arms down and hair straight like a child sent to say goodnight.
âAnd weâll have the Montmorencys in!â Shamus shouted. âCassidy would love the Montmorencys! Theyâve got two fucking Bentleys!â
Very softly, her hazel eyes gazing bravely into his, Helen began speaking.
âCassidy, thereâs something youâve got to hear. Weâre squatters,â she said. âVoluntary squatters. Shamus doesnât believe in property, he says itâs a refuge from reality, so we go from one empty house to another. Heâs not even Irish, he just has funny voices and a theory that God is living in County Cork disguised as a forty-three-year-old taxi driver. Heâs a writer, a marvellous, wonderful writer. Heâs altering the course of world literature and I love him. And as for you,â standing on tiptoe she put her arms round his shoulders and leaned the length of her body against him. âAs for Cassidy, heâs the sweetest man alive, whatever he believes in.â
âWhat does he do, for Christâs sake?â Shamus cried. âAsk him where he gets it all from!â
âI make accessories for prams,â Cassidy replied. âFoot brakes, canopies, and chassis.â
His mouth had gone quite dry and his stomach was aching. Music, he thought; someone must make music. Sheâs holding me for dancing and the band wonât play and everyoneâs looking at us saying weâre in love.
âCassidyâs Universal Fastenings. Weâre quoted on the Stock Exchange, fifty-eight and sixpence for a one-pound share.â
Â
Helen is in his arms and the nestling movement of her breasts has told him she is either laughing or weeping. Shamus is taking the cap off the whisky bottle. All manner of visions are crowding upon Cassidyâs troubled mind. The dance floor has given way. The soft hair of her mound is caressing him through the thin stuff of her housecoat. Swiss waterfalls alternate with tumbling castles and plunging stock prices; two-plus-two Bentleys lie wrecked along the roadside. He is in Carey Street on the steps of the Bankruptcy Court being pelted by infuriated creditors and Helen is telling them to stop. He is standing naked at a cocktail party and the pubic hair has spread over his navel, but Helen is covering him with her ball dress. Through all these intimations of catastrophe and exposure, one instinct signals to him like a beacon: she is warm and vibrant in my arms.
âIâd like to ask you both to dinner,â Cassidy says. âIf you promise to wear real clothes. Or is that against your religion?â
Suddenly Helen is pulled from his grasp and in her place Cassidy feels the wild heart of Shamus thumping through the black jacket; smells the sweat and woodsmoke and the fumes of whisky buried in the soft cloth; hears the dark voice breathing to him in love.
âYou never wanted to buy the bloody house in the first place, did you? You were having a little dream, werenât you,
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