â⦠I mean, arenât the records computerized now?â
âActually, weâre still in the process of creating our computerized database of objects and artefacts â with the help of an American non-profit organization. But you have to understand that until 2006 the registration system was entirely manual. Weâve got a quarter of a million objects in this museum, only half of which are in the database. It was when this papyrus and its container were due to be entered into the system, that we discovered it was unlisted.â
âBut how could something like that happen?â asked Daniel.
âYou have to understand,â Mansoor continued sheepishly, âthat due to historic reasons, the manual numbering system is a bit fragmented. We actually have four different numbering systems that developed over time. But unfortunately, different objects were categorized according to the different systems. In fact, some items have numbers in more than one of the numbering systems.â
âBut how could you track so many objects with such a fragmented system?â
âWe couldnât. It was a real nightmare. And to make matters worse, we didnât even have anyone specifically trained in archive maintenance. In practice, responsibility for keeping the records was divided between the sections. Each section had responsibility for its own objects and artefacts.â
âOkay, may I see the clay jar?â
Mansoor put on a pair of latex gloves, reached into the box, pulled aside some padding and then produced the clay jar, carefully depositing it on the workbench in front of them. Daniel put on a similar pair of gloves and gently turned the jar this way and that to get a better look. The outside of the jar looked quite plain. Then a very faint trace of an engraving on the side caught Danielâs eye.
âHoly shit!â
âWhat?â asked Mansoor, picking up on Danielâs excitement.
âTake a look at that,â said Daniel, handing the jar over to Mansoor.
The Egyptian held it up to the light and tilted it back and forth to get a better view. His face changed when he saw what Daniel had seen: a barely visible engraving of a serpent coiled around a pole.
âBut that looks likeâ¦â
âThe Rod of Asclepius!â
âBut thatâs a Greek symbol,â said Mansoor, lowering the jar and meeting Danielâs eyes. âIt didnât exist at the time when Proto-Sinaitic script was used.â
âNot under the name Rod of Asclepius,â said Daniel.
âWasnât Asclepius the Greek god of medicine?â asked Gabrielle.
âExactly,â said Daniel. âAnd the Rod of Asclepius â the rodwith a snake coiled around it â is widely associated with medicine and used by a number of pharmaceutical organizations. Snakes were often associated with medicine as well as illness. Hence snake oil.â
âAlso in ancient Egyptian culture,â said Mansoor.
âBut not in this specific form,â Daniel cut in. âThe snake coiled around a pole, I mean.â
âThatâs true, Professor Klein. But then again thereâs a lot of ancient Egypt that remains undiscovered, even today. And much of what we had was lost to theft â both foreign and domestic.â
Daniel was thinking about something Gabrielle had said about the Greek god of medicine. At the back of his mind he was also remembering what Harrison Carmichael had said about fiery snakes, Moses putting a snake on a pole and the possibility of the sixth plague returning. Now the dig had been closed down because of âfood poisoningâ according to Mansoor. He was turning these thoughts over in his mind, uncertain of what to make of it. For a moment he considered asking Mansoor why the dig was really closed down, but he sensed that if Mansoor was holding out on him, he was unlikely to be more candid and open if pressed. He was more likely to clam up
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