balance he went down, breaking through the thin dusty crust. He tried to get up and slipped again and rolled over to get his arms out and his hands in front of him, but he was going down the gully head first now, plowing open the thin crust, clawing at the mud, and taking chunks of it with him. Long had no chance against the month of spring rain that had seeped into the red dirt and turned the gully into a mud chute. He gave up, letting himself slide and roll until he came to a stop a hundred feet below, where the bank turned and was reinforced with stones.
He sat there a minute before pulling himself up, his clothes and one side of his face painted with the red muck. Long was still wearing his hat. He took it off, looked at it, put it on again, and stared up the wash, way up to where Son Martin stood waiting.
"A man has to be careful around here, Frank. Watch his step and know what he's doing. He'll find he can't rely on anybody's word." Son didn't raise his voice; his words carried clearly to Long, who unbuttoned his coat and drew the big .45 automatic, looking at it and then at Son as he held the gun in front of him.
"You want to get rough," Long said, "I can end this game right now."
"Maybe," Son said, "but not without getting the back of your head messed up. Put it away, Frank."
Long hesitated. Son wasn't going to trick him from a hundred feet away. He looked over his shoulder, hesitated, then slid the automatic back into its holster. Aaron covered him from the porch of the house, holding a 12-gauge aimed right at his head.
By Monday noon the story around Marlett was that Son had thrown Frank Long down the mud wash after Long pulled a gun on him. Aaron told it correctly at the Sweet Jesus Savior prayer meeting Sunday night; but it was natural for the story to take on weight in Son's favor. Son causing him to fall wasn't enough; Long deserved to be pushed. Lowell Holbrook told how Frank Long had given him the muddy suit of clothes and instructed him to throw it away--there was so much wet mud stuck to it, the suit would have to dry out for a week and then be beaten with a stick for another week. Lowell Holbrook said the suit was in a trash barrel back of the hotel if anybody wanted to see it. A few of Lowell's friends went to take a look.
By the time Frank Long appeared on the street that Monday, he was being referred to as The Hog Man, a nasty creature that liked to wallow around in wet clay mud. No one was sure who had made up the name though later Bud Blackwell claimed he said it first. Maybe he did. It was Bud Blackwell who said it to Frank Long's face.
Bud and his brother Raymond, and Virgil Worthman were standing at the corner down from the hotel entrance, probably waiting for Long, when he came out and walked right up to them.
Long took them by surprise. He spoke first, asking if Mr. Baylor had talked to them.
"About what?" Virgil Worthman said.
"If you have to ask then he didn't," Long said, "so I'll tell you myself."
"I don't know," Bud Blackwell said, "if we should be seen talking to you. They say you tell a person by the people he hangs out with."
"You won't have to talk," Long said. "Just get the wax out of your ears and listen."
Bud Blackwell glanced at his brother. He said, "Hey, you know who this is? Somebody mus t h ave hosed him off, because this here is The Hog Man."
Frank Long hit him in the mouth. Bud might not have gone down, but the curb tripped him and he fell hard in the street. He got up wiping his hands on his thighs; his right hand slid around to his back pocket and came out with a bone-handle clasp knife that he put to his mouth to pull the blade out with his teeth.
"Open it," Long said, "and I'll shoot you dead for assaulting a federal officer. You can come at me, boy, but if you use the blade or these others horn in, then out comes Sweetheart." Long patted the hard bulk of the automatic beneath his coat.
One thing about Bud Blackwell, whether it was to be knives or guns or a
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