thought of steel cutting into her flesh had turned her into a quivering bundle of helplessness. So when she had been told to climb over the fence, she had not been able to and had fallen to the ground and lain there like a beanbag, tears streaming down her cheeks. Because she knew what was going to happen. She would do everything she could not to be cut and knew she would not be able to prevent it. Because she wanted so much to live. A few more years, a few more minutes, it was the same crazy, blind rationality that drove everyone.
She had started to explain that she couldn’t climb over; she had forgotten that he had told her to keep her mouth shut. The knife had writhed like a snake, sliced her mouth, twisted round, crunched against her teeth and then been pulled out. The blood had gushed at once. The voice had whispered something behind the mask and nudged her forward along the fence. To a place in the bushes where she was pushed through a gap in the fence.
Marit Olsen swallowed the blood that continued to fill her mouth and looked down at the spectator stands beneath her; they, too, were bathed in the blue moonlight. They were so empty, it was a courtroom without spectators or jury, just a judge. An execution without a mob, just the executioner. A final public appearance which no one had considered worth attending. It struck Marit that she lacked as much appeal in death as in life. And now she couldn’t speak, either.
‘Jump.’
She saw how beautiful the park was, even now in winter. She wished the clock at the end of the pool were working so that she could see the seconds of life she was stealing.
‘Jump,’ the voice repeated. He must have removed his mask, for his voice had changed, she recognised it now. She turned her head and stared in shock. Then she felt a foot on her back. She screamed. She no longer had ground beneath her feet; for one astonishing moment she was weightless. But the ground was pulling her down, her body accelerated and she registered that the bluish-white porcelain of the pool was racing towards her, to smash her into pieces.
Three metres above the bottom of the pool the rope tightened around Marit Olsen’s neck and throat. The rope was an old-fashioned type, made of linden and elm, and had no elasticity. Marit Olsen’s stout body was not checked to any appreciable degree; it detached itself from the head and hit the base of the pool with a dull thud. The head and the neck were left in the rope. There wasn’t much blood. Then the head tipped forward, slipped out of the noose, fell onto Marit Olsen’s blue tracksuit top and rolled across the tiles with a rumble.
Then the lido was still again.
PART TWO
10
Reminders
A T THREE O’CLOCK IN THE MORNING H ARRY ABANDONED his attempts to sleep and got up. He turned on the tap in the kitchen and put a glass underneath, held it there until the water overflowed and trickled down his wrist, cold. His jaw ached. His attention was held by two photographs pinned up over the kitchen worktop.
One, with a couple of disfiguring creases, showed Rakel in a light blue summer dress. But it wasn’t summer, the leaves behind her were autumnal. Her dark brown hair cascaded down onto her bare shoulders. Her eyes seemed to be searching for something behind the lens, perhaps the photographer. Had he taken the photo himself ? Strange that he couldn’t remember.
The other was of Oleg. Taken with Harry’s mobile phone camera at Valle Hovin skating rink during a training session last winter. At that time, a delicate young boy, but if he had continued his training he would have soon filled out that red skinsuit of his. What was he doing now? Where was he? Had Rakel managed to create a home for them wherever they were, a home that felt safer than the one they had in Oslo? Were there new people in her life? When Oleg became tired, or lost concentration, did he still refer to Harry as ‘Dad’?
Harry turned off the tap. He was conscious of the cupboard door
She had started to explain that she couldn’t climb over; she had forgotten that he had told her to keep her mouth shut. The knife had writhed like a snake, sliced her mouth, twisted round, crunched against her teeth and then been pulled out. The blood had gushed at once. The voice had whispered something behind the mask and nudged her forward along the fence. To a place in the bushes where she was pushed through a gap in the fence.
Marit Olsen swallowed the blood that continued to fill her mouth and looked down at the spectator stands beneath her; they, too, were bathed in the blue moonlight. They were so empty, it was a courtroom without spectators or jury, just a judge. An execution without a mob, just the executioner. A final public appearance which no one had considered worth attending. It struck Marit that she lacked as much appeal in death as in life. And now she couldn’t speak, either.
‘Jump.’
She saw how beautiful the park was, even now in winter. She wished the clock at the end of the pool were working so that she could see the seconds of life she was stealing.
‘Jump,’ the voice repeated. He must have removed his mask, for his voice had changed, she recognised it now. She turned her head and stared in shock. Then she felt a foot on her back. She screamed. She no longer had ground beneath her feet; for one astonishing moment she was weightless. But the ground was pulling her down, her body accelerated and she registered that the bluish-white porcelain of the pool was racing towards her, to smash her into pieces.
Three metres above the bottom of the pool the rope tightened around Marit Olsen’s neck and throat. The rope was an old-fashioned type, made of linden and elm, and had no elasticity. Marit Olsen’s stout body was not checked to any appreciable degree; it detached itself from the head and hit the base of the pool with a dull thud. The head and the neck were left in the rope. There wasn’t much blood. Then the head tipped forward, slipped out of the noose, fell onto Marit Olsen’s blue tracksuit top and rolled across the tiles with a rumble.
Then the lido was still again.
PART TWO
10
Reminders
A T THREE O’CLOCK IN THE MORNING H ARRY ABANDONED his attempts to sleep and got up. He turned on the tap in the kitchen and put a glass underneath, held it there until the water overflowed and trickled down his wrist, cold. His jaw ached. His attention was held by two photographs pinned up over the kitchen worktop.
One, with a couple of disfiguring creases, showed Rakel in a light blue summer dress. But it wasn’t summer, the leaves behind her were autumnal. Her dark brown hair cascaded down onto her bare shoulders. Her eyes seemed to be searching for something behind the lens, perhaps the photographer. Had he taken the photo himself ? Strange that he couldn’t remember.
The other was of Oleg. Taken with Harry’s mobile phone camera at Valle Hovin skating rink during a training session last winter. At that time, a delicate young boy, but if he had continued his training he would have soon filled out that red skinsuit of his. What was he doing now? Where was he? Had Rakel managed to create a home for them wherever they were, a home that felt safer than the one they had in Oslo? Were there new people in her life? When Oleg became tired, or lost concentration, did he still refer to Harry as ‘Dad’?
Harry turned off the tap. He was conscious of the cupboard door
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