Read Online The Lady of the Rivers by Philippa Gregory - Free Book Online Page A
Authors: Philippa Gregory
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bawdy jokes about youth and age, male and female, and the heat of the wedding bed, which is the fire to forge a new life. He is followed by dancers and players who perform a masque celebrating the power of England and the beauty of Luxembourg with a beautiful woman, almost naked but for her long green tail of silk, who symbolises Melusina. The best of them all is a costumed lion, the emblem of both our countries, who cavorts and dances with strength and grace, and finally comes, panting a little, to the high table and bows his great head to me. His mane is a mass of golden curls smelling of sacking, his face a mask of painted paper, with a smiling honest look. I have a gold chain to put around his neck and as I stretch towards him and he bows his head to me I recognise the gleam of blue eyes through the mask and know that my hands are on the shoulders of the handsome squire, and that I am standing close enough to embrace him as I put my chain around his neck.
My mother nods to me that we can leave, and the women and the musicians all rise up and dance in a line round the length of the hall and then make an archway with their hands held high and I walk through it, with all the girls wishing me luck and the women calling blessings down on me. I am preceded by my dancing little sisters who scatter rose petals and little golden keys on the floor where I walk. Everyone escorts me up the great flight of stairs to the best chambers and they all seem disposed to crowd into the bedroom with me; but my father stops them at the door, and I go in with just my mother and the ladies of her court.
First they unpin my high headdress and lift it carefully away, and then unpin my hair. My scalp aches as the tightly plaited hair tumbles down and I rub my face. They untie the laces of my gown at my shoulders to take off the sleeves, then they untie the fastenings at the back and drop it to the floor and I carefully step out of it. They take it away to shake it and powder it and store it carefully for the next important event when I will wear it as the Duchess of Bedford, and the red lions on the hem will symbolise the house that once was mine. They untie the laces of my under-gown and strip me naked, then, while I shiver, they throw my nightgown over my head, and pt a wrap around my shoulders. They seat me on a stool and bring a bowl of hot scented water and I soak my cold feet and lean back as one of them brushes my hair while the others pull at the embroidered hem of the gown, tidy the fall of the wrap, and put the room to rights. Finally they pat my feet dry, plait my hair, tie a nightcap on my head, and then they throw open the door.
My uncle Louis comes in, dressed in his bishop’s cope and mitre, swinging a censer, and he proceeds all round the room, blessing every corner, and wishing me happiness, wealth, and above all fertility, in this great match between England and the county of Luxembourg. ‘Amen,’ I say, ‘amen,’ but it seems that he will never stop and then, from the hall below, comes a great rumble of male voices and laughter and the blare of trumpets and the banging of drums and they are bringing my bridegroom, the old duke, to my room.
They carry him shoulder high, shouting ‘Hurrah! Hurrah!’ and they set him on his feet just outside my door so that he can walk in and they can all tumble in behind him. Hundreds are left in the rooms outside, craning to see, and shouting for others to move up. The Fool capers in, his bladder in his hand, poking at the bed and declaring that it need be soft for the duke will make a heavy landing. There is a roar of laughter at this, which spreads out of the room to the chambers beyond and even down to the hall as the jest is repeated. Then the Fool commands the girls to build up the fire to keep the bed warm, and top up the wedding ale for the duke may get a thirst on, and then he may need to get up in the night. ‘Up in the night!’ he says again, and everyone laughs.
The trumpets
My mother nods to me that we can leave, and the women and the musicians all rise up and dance in a line round the length of the hall and then make an archway with their hands held high and I walk through it, with all the girls wishing me luck and the women calling blessings down on me. I am preceded by my dancing little sisters who scatter rose petals and little golden keys on the floor where I walk. Everyone escorts me up the great flight of stairs to the best chambers and they all seem disposed to crowd into the bedroom with me; but my father stops them at the door, and I go in with just my mother and the ladies of her court.
First they unpin my high headdress and lift it carefully away, and then unpin my hair. My scalp aches as the tightly plaited hair tumbles down and I rub my face. They untie the laces of my gown at my shoulders to take off the sleeves, then they untie the fastenings at the back and drop it to the floor and I carefully step out of it. They take it away to shake it and powder it and store it carefully for the next important event when I will wear it as the Duchess of Bedford, and the red lions on the hem will symbolise the house that once was mine. They untie the laces of my under-gown and strip me naked, then, while I shiver, they throw my nightgown over my head, and pt a wrap around my shoulders. They seat me on a stool and bring a bowl of hot scented water and I soak my cold feet and lean back as one of them brushes my hair while the others pull at the embroidered hem of the gown, tidy the fall of the wrap, and put the room to rights. Finally they pat my feet dry, plait my hair, tie a nightcap on my head, and then they throw open the door.
My uncle Louis comes in, dressed in his bishop’s cope and mitre, swinging a censer, and he proceeds all round the room, blessing every corner, and wishing me happiness, wealth, and above all fertility, in this great match between England and the county of Luxembourg. ‘Amen,’ I say, ‘amen,’ but it seems that he will never stop and then, from the hall below, comes a great rumble of male voices and laughter and the blare of trumpets and the banging of drums and they are bringing my bridegroom, the old duke, to my room.
They carry him shoulder high, shouting ‘Hurrah! Hurrah!’ and they set him on his feet just outside my door so that he can walk in and they can all tumble in behind him. Hundreds are left in the rooms outside, craning to see, and shouting for others to move up. The Fool capers in, his bladder in his hand, poking at the bed and declaring that it need be soft for the duke will make a heavy landing. There is a roar of laughter at this, which spreads out of the room to the chambers beyond and even down to the hall as the jest is repeated. Then the Fool commands the girls to build up the fire to keep the bed warm, and top up the wedding ale for the duke may get a thirst on, and then he may need to get up in the night. ‘Up in the night!’ he says again, and everyone laughs.
The trumpets
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