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Authors: Peter Burke
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‘De imitatione’ di Giovanfrancesco Pico della Mirandola e di Pietro Bembo . Florence: Olschki, 1954.
Santillana, G. de, ‘Paolo Toscanelli and his friends’, in The Renaissance Image of Man and the World , ed. B. O’Kelly, pp. 105–28. Columbus: Ohio State University Press, 1966.
Santoro, C., Gli uffici del dominio sforzesco (1450–1500) . Milan: Fondazione Treccani, 1948.
Sardella, P., Nouvelles et spéculations à Venise au début du XVIe siècle . Paris: Colin, 1948.
Savonarola, G., Prediche e scritti . Florence: Olschki, 1952.
Saxl, F., La fede astrologica di Agostino Chigi . Rome: Reale accademia d’Italia, 1934.
— Lectures . London: Warburg Institute, 1957.
Schaffran, E., ‘Die Inquisitionsprozesse gegen Paolo Veronese’, Archiv fur Kulturgeschichte 42 (1960), pp. 17–93.
Schiaparelli, A., La casa fiorentina e i suoi arredi nei secoli XIV e XV Florence: Sansoni, 1908.
Schmarsow, A., Gotik in der Renaissance . Stuttgart: F. Enke, 1921.
Schmitt, C., (ed.), The Cambridge History of Renaissance Philosophy . Cambridge: Cambridge University Press, 1988.
—‘Philosophy and science in sixteenth-century universities’, in The Cultural Context of Medieval Learning , ed. J. E. Murdoch and E. D. Sylla. Dordrech: D. Reidel, 1975.
Schofield, R., ‘Avoiding Rome: an introduction to Lombard sculptors and the antique’, Arte Lombarda 100 (1992), pp. 29–44.
Scholderer, V., Printers and Readers in Italy in the Fifteenth Century . London: G. Cumberlege, 1949.
Schubring, P., Cassoni . Leipzig: Hiersemann, 1915.
Schulz, A. M., The Sculpture of Bernardo Rossellino and his Workshop . Princeton, NJ: Princeton University Press, 1977.
Schutte, A. J., ‘Printing, piety and the people in Italy: the first thirty years’, Archiv für Reformationsgeschichte 71 (1980), pp. 5–20.
Segarizzi, A. (ed.), Relazioni degli ambasciatori veneti , vol . 3. Bari: Laterza, 1916.
Seigel, J., ‘Civic humanism or Ciceronian rhetoric?’, Past and Present 34 (1966), pp. 3–48.
Senatore, F., Uno mundo de carta: forme et strutture della diplomazia sforzesca . Naples: Liguori, 1998.
Serafino dell’Aquila, Opere . Venice, 1505.
Sereni, E., ‘Agricoltura e mondo rurale’, Storia d’Italia 1, pp. 136–252. Turin: Einaudi, 1973.
— Storia del paesaggio agrario italiano . Bari: Laterza, 1961.
Serra Desfilis, A., ‘Classical language and imperial ideal in the early Renaissance: the artistic patronage of Alfonso V the Magnanimous’, in Europe and its Empires , ed. N. Harris and C. Lévai, pp. 17–29. Pisa, PLUS-Pisa University Press, 2008.
Settis, S., ‘Artisti e committenti fra quattro e cinquecento’, Storia d’Italia, Annali 4 , pp. 791–64. Turin: Einaudi, 1981.
— Giorgione’s Tempest: Interpreting the Hidden Subject . Eng. trans., Cambridge: Polity, 1990.
—‘Theiconography of Italian art, 1100–1500’, Eng. trans. in History of Italian Art , ed. P. Burke, 2 vols, vol. 2, pp. 119–259. Cambridge: Polity, 1994.
—(ed.), Memoria dell’antico nell’arte italiana , 2 vols. Turin: Einaudi, 1984–5.
Seymour, C., Michelangelo’s David: A Search for Identity. 2nd edn, New York: W. W. Norton, 1974.
— Sculpture in Italy, 1400 to 1500 . Harmondsworth: Penguin, 1966.
Seznec, J., The Survival of the Pagan Gods . Eng. trans., New York: Pantheon Books, 1953.
Shaftesbury, Lord, Second Characters, or, The Language of Forms . Cambridge: Cambridge University Press, 1914.
Sheard, W. S., and J. T. Paoletti (eds), Collaboration in Italian Renaissance Art . New Haven, CT: Yale University Press, 1978.
Shearman, J., Andrea del Sarto , 2 vols. New Haven, CT: Yale University Press, 1965.
—‘The collections of the younger branch of the Medici’, Burlington Magazine 117 (1975), pp. 12–27.
—‘The Florentine entrata of Leo X, 1515’, JWCI 38 (1975), pp. 136–44.
— Mannerism . Harmondsworth: Penguin, 1967.
—‘Il mecenatismo di Giulio II e Leone X’, in Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530 ,
Santillana, G. de, ‘Paolo Toscanelli and his friends’, in The Renaissance Image of Man and the World , ed. B. O’Kelly, pp. 105–28. Columbus: Ohio State University Press, 1966.
Santoro, C., Gli uffici del dominio sforzesco (1450–1500) . Milan: Fondazione Treccani, 1948.
Sardella, P., Nouvelles et spéculations à Venise au début du XVIe siècle . Paris: Colin, 1948.
Savonarola, G., Prediche e scritti . Florence: Olschki, 1952.
Saxl, F., La fede astrologica di Agostino Chigi . Rome: Reale accademia d’Italia, 1934.
— Lectures . London: Warburg Institute, 1957.
Schaffran, E., ‘Die Inquisitionsprozesse gegen Paolo Veronese’, Archiv fur Kulturgeschichte 42 (1960), pp. 17–93.
Schiaparelli, A., La casa fiorentina e i suoi arredi nei secoli XIV e XV Florence: Sansoni, 1908.
Schmarsow, A., Gotik in der Renaissance . Stuttgart: F. Enke, 1921.
Schmitt, C., (ed.), The Cambridge History of Renaissance Philosophy . Cambridge: Cambridge University Press, 1988.
—‘Philosophy and science in sixteenth-century universities’, in The Cultural Context of Medieval Learning , ed. J. E. Murdoch and E. D. Sylla. Dordrech: D. Reidel, 1975.
Schofield, R., ‘Avoiding Rome: an introduction to Lombard sculptors and the antique’, Arte Lombarda 100 (1992), pp. 29–44.
Scholderer, V., Printers and Readers in Italy in the Fifteenth Century . London: G. Cumberlege, 1949.
Schubring, P., Cassoni . Leipzig: Hiersemann, 1915.
Schulz, A. M., The Sculpture of Bernardo Rossellino and his Workshop . Princeton, NJ: Princeton University Press, 1977.
Schutte, A. J., ‘Printing, piety and the people in Italy: the first thirty years’, Archiv für Reformationsgeschichte 71 (1980), pp. 5–20.
Segarizzi, A. (ed.), Relazioni degli ambasciatori veneti , vol . 3. Bari: Laterza, 1916.
Seigel, J., ‘Civic humanism or Ciceronian rhetoric?’, Past and Present 34 (1966), pp. 3–48.
Senatore, F., Uno mundo de carta: forme et strutture della diplomazia sforzesca . Naples: Liguori, 1998.
Serafino dell’Aquila, Opere . Venice, 1505.
Sereni, E., ‘Agricoltura e mondo rurale’, Storia d’Italia 1, pp. 136–252. Turin: Einaudi, 1973.
— Storia del paesaggio agrario italiano . Bari: Laterza, 1961.
Serra Desfilis, A., ‘Classical language and imperial ideal in the early Renaissance: the artistic patronage of Alfonso V the Magnanimous’, in Europe and its Empires , ed. N. Harris and C. Lévai, pp. 17–29. Pisa, PLUS-Pisa University Press, 2008.
Settis, S., ‘Artisti e committenti fra quattro e cinquecento’, Storia d’Italia, Annali 4 , pp. 791–64. Turin: Einaudi, 1981.
— Giorgione’s Tempest: Interpreting the Hidden Subject . Eng. trans., Cambridge: Polity, 1990.
—‘Theiconography of Italian art, 1100–1500’, Eng. trans. in History of Italian Art , ed. P. Burke, 2 vols, vol. 2, pp. 119–259. Cambridge: Polity, 1994.
—(ed.), Memoria dell’antico nell’arte italiana , 2 vols. Turin: Einaudi, 1984–5.
Seymour, C., Michelangelo’s David: A Search for Identity. 2nd edn, New York: W. W. Norton, 1974.
— Sculpture in Italy, 1400 to 1500 . Harmondsworth: Penguin, 1966.
Seznec, J., The Survival of the Pagan Gods . Eng. trans., New York: Pantheon Books, 1953.
Shaftesbury, Lord, Second Characters, or, The Language of Forms . Cambridge: Cambridge University Press, 1914.
Sheard, W. S., and J. T. Paoletti (eds), Collaboration in Italian Renaissance Art . New Haven, CT: Yale University Press, 1978.
Shearman, J., Andrea del Sarto , 2 vols. New Haven, CT: Yale University Press, 1965.
—‘The collections of the younger branch of the Medici’, Burlington Magazine 117 (1975), pp. 12–27.
—‘The Florentine entrata of Leo X, 1515’, JWCI 38 (1975), pp. 136–44.
— Mannerism . Harmondsworth: Penguin, 1967.
—‘Il mecenatismo di Giulio II e Leone X’, in Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530 ,
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