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Authors: Peter Burke
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Press, 1986.
Procacci, U., ‘Compagnie di pittori’, Rivista d’Arte X (1960), pp. 3–37.
Prodi, P., The Papal Prince . Eng. trans., Cambridge: Cambridge University Press, 1987.
Prodi, P., and P. Johanek (eds), Strutture ecclesiastiche in Italia e in Germania prima della Riforma . Bologna: Il Mulino, 1984.
Prosperi, A. (ed.), La corte e il cortegiano , vol. 2 . Rome: Bulzoni, 1980.
—‘La figura del vescovo fra ’400 e ’500’, Storia d’Italia, Annali 9, ed. G. Chittolini and G. Miccoli, pp. 221–62. Turin: Einaudi, 1986.
Pullan, B., ‘Nature e carattere delle scuole’, in Le scuole di Venezia , ed. T. Pignatti, pp. 9–26 . Milan: Electa, 1981.
—Rich and Poor in Renaissance Venice . Oxford: Blackwell, 1971.
Puppi, L., Andrea Palladio . Eng. trans., London: Phaidon Press, 1975.
Putelli, R., Vita, storia ed arte mantovana nel cinquecento , vol. 2.Mantua: Peroni, 1935.
Pyle, C., Milan and Lombardy in the Renaissance . Rome: La Fenice, 1997.
Quadflieg, R., Filaretes Ospedale maggiore in Mailand: zur Rezeption islamischen Hospitalwesens in der italienischen Frührenaissance . Cologne: Abteilung Architektur des Kunsthistorischen Instituts, 1981.
Quondam, A. (ed.), Le corti farnesiane di Parma e Piacenza, 1545–1622 . Rome: Bulzoni, 1978.
— ‘La letteratura in tipografia’, in Letteratura italiana 2: Produzione e Consumo , ed. A. Asor Rosa, pp. 555–686. Turin: Einaudi, 1983.
—‘Mercanzia d’honore,mercanzia d’utile: produzione libraria e lavoro intellettuale a Venezia nel ’500’, in Libri editori e pubblico nell’Europa moderna , ed. A. Petrucci, pp. 53–104. Bari: Laterza, 1977.
Raby, J., Venice, Dürer and the Oriental Mode . London: Islamic Art, 1982.
Radcliffe, A., and N. Penny, Art of the Renaissance Bronze, 1500–1650 . London: Philip Wilson, 2004.
Ramsden, H., The 1898 Movement in Spain . Manchester: Manchester University Press, 1974.
Randolph, A., Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence . New Haven, CT: Yale University Press, 2002.
—‘Gendering the period eye: Deschi di parto and Renaissance visual culture’, Art History 27 (2004), pp. 538–62.
Rashdall, H., The Universities of Europe in the Middle Ages . Oxford: Oxford University Press, 1936.
Regan, L. K., ‘Ariosto’s threshold patron: Isabella d’Este in the Orlando Furioso’, Modern Language Notes 20 (2005), pp. 50–69.
Reiss, S. E., and D. G. Wilkins (eds), Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy . Kirksville, MO: Truman State University Press, 2001.
Renouard, Y., ‘L’artiste ou le client?’ Annales ESC 5 (1950), pp. 361–5.
Reti, L., ‘The two unpublished manuscripts of Leonardo’, Burlington Magazine 110 (1968), pp. 10–22.
Ricci, C., Il tempio malatestiano . Milan and Rome: Bestetti & Tumminelli, 1924.
Rice, E., St Jerome in the Renaissance . Baltimore and London: Johns Hopkins University Press, 1985.
Richardson, B., Manuscript Culture in Renaissance Italy . Cambridge: Cambridge University Press, 2009.
— Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470–1600 . Cambridge: Cambridge University Press, 1994.
— Printing, Writers and Readers in Renaissance Italy . Cambridge: Cambridge University Press, 1999.
Richardson, C. M. (ed.), Locating Renaissance Art . New Haven, CT: Yale University Press, 2007.
— Reclaiming Rome: Cardinals in the Fifteenth Century . Leiden: E. J. Brill, 2009.
Ringbom, S., Icon to Narrative: The Rise of the Dramatic Close-Up Fifteenth-Century Devotional Painting . Åbo: Åbo Akademi, 1965.
Roberts, A., Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa . Farnham: Ashgate, 2008.
Robertson, C., ‘Annibal Caro as iconographer’, JWCI 45 (1982), pp. 160–75.
— ‘Il gran cardinale’: Alessandro Farnese, Patron of the Arts . New Haven, CT: Yale University Press, 1992.
Robin, D., Filelfo in Milan . Princeton, NJ: Princeton University Press, 1991.
Rochon, A. (ed.), Les
Procacci, U., ‘Compagnie di pittori’, Rivista d’Arte X (1960), pp. 3–37.
Prodi, P., The Papal Prince . Eng. trans., Cambridge: Cambridge University Press, 1987.
Prodi, P., and P. Johanek (eds), Strutture ecclesiastiche in Italia e in Germania prima della Riforma . Bologna: Il Mulino, 1984.
Prosperi, A. (ed.), La corte e il cortegiano , vol. 2 . Rome: Bulzoni, 1980.
—‘La figura del vescovo fra ’400 e ’500’, Storia d’Italia, Annali 9, ed. G. Chittolini and G. Miccoli, pp. 221–62. Turin: Einaudi, 1986.
Pullan, B., ‘Nature e carattere delle scuole’, in Le scuole di Venezia , ed. T. Pignatti, pp. 9–26 . Milan: Electa, 1981.
—Rich and Poor in Renaissance Venice . Oxford: Blackwell, 1971.
Puppi, L., Andrea Palladio . Eng. trans., London: Phaidon Press, 1975.
Putelli, R., Vita, storia ed arte mantovana nel cinquecento , vol. 2.Mantua: Peroni, 1935.
Pyle, C., Milan and Lombardy in the Renaissance . Rome: La Fenice, 1997.
Quadflieg, R., Filaretes Ospedale maggiore in Mailand: zur Rezeption islamischen Hospitalwesens in der italienischen Frührenaissance . Cologne: Abteilung Architektur des Kunsthistorischen Instituts, 1981.
Quondam, A. (ed.), Le corti farnesiane di Parma e Piacenza, 1545–1622 . Rome: Bulzoni, 1978.
— ‘La letteratura in tipografia’, in Letteratura italiana 2: Produzione e Consumo , ed. A. Asor Rosa, pp. 555–686. Turin: Einaudi, 1983.
—‘Mercanzia d’honore,mercanzia d’utile: produzione libraria e lavoro intellettuale a Venezia nel ’500’, in Libri editori e pubblico nell’Europa moderna , ed. A. Petrucci, pp. 53–104. Bari: Laterza, 1977.
Raby, J., Venice, Dürer and the Oriental Mode . London: Islamic Art, 1982.
Radcliffe, A., and N. Penny, Art of the Renaissance Bronze, 1500–1650 . London: Philip Wilson, 2004.
Ramsden, H., The 1898 Movement in Spain . Manchester: Manchester University Press, 1974.
Randolph, A., Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence . New Haven, CT: Yale University Press, 2002.
—‘Gendering the period eye: Deschi di parto and Renaissance visual culture’, Art History 27 (2004), pp. 538–62.
Rashdall, H., The Universities of Europe in the Middle Ages . Oxford: Oxford University Press, 1936.
Regan, L. K., ‘Ariosto’s threshold patron: Isabella d’Este in the Orlando Furioso’, Modern Language Notes 20 (2005), pp. 50–69.
Reiss, S. E., and D. G. Wilkins (eds), Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy . Kirksville, MO: Truman State University Press, 2001.
Renouard, Y., ‘L’artiste ou le client?’ Annales ESC 5 (1950), pp. 361–5.
Reti, L., ‘The two unpublished manuscripts of Leonardo’, Burlington Magazine 110 (1968), pp. 10–22.
Ricci, C., Il tempio malatestiano . Milan and Rome: Bestetti & Tumminelli, 1924.
Rice, E., St Jerome in the Renaissance . Baltimore and London: Johns Hopkins University Press, 1985.
Richardson, B., Manuscript Culture in Renaissance Italy . Cambridge: Cambridge University Press, 2009.
— Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470–1600 . Cambridge: Cambridge University Press, 1994.
— Printing, Writers and Readers in Renaissance Italy . Cambridge: Cambridge University Press, 1999.
Richardson, C. M. (ed.), Locating Renaissance Art . New Haven, CT: Yale University Press, 2007.
— Reclaiming Rome: Cardinals in the Fifteenth Century . Leiden: E. J. Brill, 2009.
Ringbom, S., Icon to Narrative: The Rise of the Dramatic Close-Up Fifteenth-Century Devotional Painting . Åbo: Åbo Akademi, 1965.
Roberts, A., Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa . Farnham: Ashgate, 2008.
Robertson, C., ‘Annibal Caro as iconographer’, JWCI 45 (1982), pp. 160–75.
— ‘Il gran cardinale’: Alessandro Farnese, Patron of the Arts . New Haven, CT: Yale University Press, 1992.
Robin, D., Filelfo in Milan . Princeton, NJ: Princeton University Press, 1991.
Rochon, A. (ed.), Les
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