earlier about the time frame.â
James was sitting on the arm of the chair occupied by his cousin, his long legs stretched out in front of him, swallowing his tea. âYou saw how the skull was up against that big rock in the foundations? Well, that rock was frost-fractured and split, so I think theyâd removed the rest of it to level the land before they built the conservatory. A daft thing to do, given the sandy soils, but it left that hollowââ
âSo during those building works, you think?â The inspector stopped writing to look up at him.
âMakes sense.â
âAny chance of finding out who did the work?â
âI doubt it. Thereâs no estate archive to speak of.â
âBut you reckon it was carried out when?â He began writing again.
âEarly photos show there was open ground there before the conservatory was built, and theyâre pre-war. First war, that is.â
âEarlier,â Ruairidh interjected. âThe Blakes left the island in 1911 and stayed away for years. Thereâd be no building work after theyâd gone.â
âWhen did they come back?â
âDonkeyâs years later. And by then Blake was on his own.â
The inspector looked up. âThe wife?â
âSheâd left him.â
âChildren?â
âNone.â
Hetty scanned their faces, remembering what Ãna Forbes had said. âDo you think it could be her? His wife, I mean?â
âAch, it could be anyone,â said the inspector, giving her a briefsmile as he put away his notebook. âThe locket suggests a woman, but the lab will be able to tell us in due course. Theyâll collect DNA too and see where that leaves us. If youâd be willing to give a sample, it might show if thereâs any Blake connection.â That frail thread, gossamer thin . . . âThough it wonât help if it is Blakeâs wife.â
âTake mine too,â said Ruairidh. âMy familyâs been on the estate for generations, and his lot are connected too.â He pointed to James with his spoon.
âTake mine by all means, but you could have the whole islandâs DNA and be no wiser,â said James. âWeâve been marrying our cousins for centuries. No new blood since the Vikings came, the trafficâs been all the other way.â
Chapter 7
1910, Beatrice
It took a moment or two before Beatriceâs eyes adjusted after the strong sunlight outside. Her city heels clicked across the tiled hall ahead of Theo, and she halted at the foot of the stairs, swinging her hat, taking in her surroundings while he gave instructions regarding the trunks. A red deer, glassy-eyed and arrogant, snubbed her from the half-landing while a fox crouched warily on top of a bookcase. Other eyes were watching too, a host of baleful creatures, staring blankly. Had they also assembled to inspect her?
She looked around her. The hall seemed faded and dusty, lulled to sleep by the tick of the long case clock and the heavy scent of burning peat. Fine cobwebs criss-crossed the red deerâs antlers, overlooked by a hasty housemaid, and a mustiness rose from the horsehair settle. She looked up at the glorious light which flooded from the raised glass roof-light, catching floating dust motes in its path. âWhere shall we start?â Theo called across to her, and she smiled over her shoulder at him, privately conjuring up a vision of the hall in a pale sunlit yellow with bowls full of flowers from the garden she intended to nurture.
Her resolve grew as they toured the house. Little had been done since Theoâs father had established his household there half a century ago, and he, she surmised, had valued things for durability, not style. There was so much she could do, but for now, she politely acknowledged and admired, conscious of Theoâs anxiety and his desire that she would be pleased. âI suppose itâs all a bit
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