around behind the glass case.
âYes, which size iced coffee is big enough for me to bathe in?â
This girl behind the counter kind of glares at Geoff. He nervous-laughs.
âDo you want a Caffeine Level Four?â he says. (There are four sizes at Loco Mocha. Even the Level One has enough jolt to fuel an overnight study binge.)
âMake it a Two.â
âWill the following guest please step down ?â the girl says, and she scoots Geoff out of her way with her hip. He gives me the sorry grin.
âWhenâs your next break?â I ask him.
The girl rolls her eyes and doesnât even look at Geoff. âYou can take a five now, but you have to come back early from lunch.â
âCool.â He whips off his hat like itâs a costume, and we walk to two large leather chairs across the store and plop down. The chair cushions hiss and wheeze and kind of burp, which makes us laugh, because weâre secretly still thirteen years old.
âYou still have my AC,â I go.
âYes,â he says, âI know. I literally got to the end of your street last night and pulled over and texted you a hundred times, but, you knowâif you never turn your phone on, you canât receive messages.â
Iâm not turning the phone on again. âIâm anti-cell these days.â Nobody but the police and my therapist know why. Thank God it didnât get out to the local press. I can barely live with myself as it is, with out people knowing the full story.
âYou are literally worse with technology than my Nana. My Nana sends me GIFs, Quinn. My Nana.â
I thought his Nana dropped dead during crafts day last year. Iâve gotta stop rewriting other peopleâs lives.
âYou should stick around for my lunch break,â he says. âWeâll pop over to the Verizon store. Itâs time to get a new phone.â
I wave him away. âYou could have just walked right back through our front door last night. That never stopped you before. I needed that air conditioner.â
Geoff is using his finger to doodle something invisible into the arm of his chair. His autograph, I think. He wants to be famous; he just doesnât know what for, yet. I love him for this.
âI didnât want to freak out your mom,â Geoff says. âThe porch light was off.â
Boring scene. Change the stakes: âSo, something happened last night,â I say to him. My heart plays hopscotch, and it isnât just the caffeine.
This moment is the reason for the entire bike excursion, but hereâs another theory: When youâve got big news, donât even think about how youâll write it or youâll choke. Same goes for standardized tests, by the way.
âGeoff,â the girl calls over, cocking an eyebrow from behind the counter. A line is forming.
âOkay, what?â he says to me. âBe quick.â
Perfect. Thatâs all I want this to be. But I feel my face close in on itself, like Momâs does when she doesnât get my humor. Iâm not confused, though, just unsure about how to deliver this. Is this a comic scene? Where does this occur in the screenplay of my life, and is Geoffâs character going to be weirded out?
Iâm in my head. Dammit. Donât write, Quinn, just talk.
âDude,â he says, but in a sweet way.
I look around to make sure weâre not being overheard. Some terrible jazz music plays overhead, and when the horns get loud, I get quiet.
âYou know when we were little,â I say, âand I used to put your sisterâs ballet tutus on my head, before we knew it was kind of strange for boys to do that?â
Geoff puts his palm up to my face and stands. âQuinn, is this about you being gay? I literally donât care at all.â
Um, what? âUm.â He knows? Wait, Geoff knows. Wait, did somebody tell him? Wait, Iâve never told anyone .
âI have to get back to
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