advertising exec from London. Didnât know any better. Wanted to buy the house.â
I grinned happily in the warm darkness of the car and crossed my arms, liking Frank Hurst for that and hoping that Hurstâs dog had bitten the advertising executive, no doubt a commuter and yuppie of the first order, right in the arse. Then my eyes caught what looked to be a lane branching off to the right through the falling snow.
Graves drew to a stop by the sign, which stood by the side of a battered-looking wooden gate. Etched into a tall column of grey limestone were the words DASHWOOD MANOR .
Graves undid his seatbelt, ran out into the snow and dragged open the wooden gate. It snagged on a stone, and he had to lift it up; then he drew it back and left it snug against some bushes. We drove on.
Branches arched across the lane, forming a long, dark tunnel. There were no longer any points of light visible on the horizon; ahead of us lay a solid darkness, broken only occasionally by the flashing lights of cars glimpsed through the woods. The village suddenly seemed very far away, as the lane led us inevitably to the house that could now be seen rising above the tops of the trees.
âYou know what I think,â Graves said, âI think we need to talk to everyone who was around when Hurstâs wife died â those who think that he murdered his wife and got away with it.â
âSo you think it was revenge, then,â I said, interested. âRevenge for his dead wife.â
âWell, maybe. But I donât think it really went like that.â
âSo how did it happen?â
Graves paused, uncertain. For a moment it looked as if he had changed his mind, and he slowed down as we drew close to a steep bend in the lane. âWell, okay,â he began a little sheepishly, âletâs say Iâm one of the villagers, right, and Iâm out walking my dog â just as I do every afternoon â and there right in front of me is our man Hurst. I havenât seen him for years and years, and suddenly there he is. And, as Iâm walking my mutt along that field, I start thinking about Hurstâs dead wife, and this big old house of his, and all the fields he owns, and the way people like him always seem to get away with it. So I decide to have a little word with him now that Iâve got the chance â let him know that people like him donât fool me. So I go and tell him â tell him I know what heâs done.â
âYou tell him heâs a murderer?â I said bluntly.
âYes, right to his face. Hurst obviously doesnât like that and so ââ
âAnd so thereâs a fight. Our indignant villager finds heâs on the losing end, grabs the pitchfork, panics and heads for the hills.â
âYes. That would make sense, wouldnât it? And it doesnât even have to be a dog-walker. Word might easily have got round the village that Hurst was out in that field. Someone getting their groceries in the village shop overhears a conversation. Or it could even be a dog-walkerâs husband,â Graves said, gaining enthusiasm. âThe missus gets back home and sheâs like, âYouâll never guess who I just saw.â Killed because of stupid gossip,â Graves said, before adding, without much sincerity, âtragic really.â
I didnât say anything for a while. I had considered this myself. âIâm afraid youâre forgetting about the dog,â I said, not unkindly. âWhoever killed Hurst seems to have strung the poor thing up. Why do something like that?â
âOh,â Graves said, put out.
I gave him a hard sideways look and said, âBut you might not be that far off. Thereâs something else. Something the village doesnât know about.â
There was a patrol car standing in front of the black wrought-iron gates that led to the gravelled driveway. It had slipped my mind that I had ordered
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