The Dope Thief
little bit of mercy. There were Mason jars and empty two- liter soda bottles on a long table, a stack of coffee filters, a pile of charcoal briquettes. In the corner of the room was a yard- high pile of empty charcoal bags and ripped packages for cold medicine.
    He made his way upstairs, forcing himself to move fast and trust that there was no one left in the house. He kept replaying the scene in the kitchen over and over, trying to make it happen right. He moved from room to room down the narrow hallway, finding each one empty. A wet, reeking bathroom, the tiles peeled from the wall; empty bedrooms, old bedsteads furred with black dust. In what had been the master bedroom there were clothes on the floor, bottles of water, and a box of surgical masks. Under the mattress on the floor was a paper bag with a few hundred bucks in it, and he picked it up. He rolled it tight and jammed it into the pocket of the windbreaker. He pushed open the closet doors, pointing the flashlight beam at stacks of wood, a pile of newspapers with headlines about Reagan.
    Off the master bedroom was a padlocked room, and he lifted his leg and kicked the door twice hard with the sole of his boot. The cleats gave way in the rotted wood, and the door swung back with a banshee howl from the rusted hinges. He found a light switch on the wall and pushed it up with a hand covered by the sleeve of his parka.
    A faint orange light set in a lamp shaped like a rocking horse showed a child’s room, a room for a girl: white furniture, a pink plaid ruffle around a sagging bed. Everything was sunken in gray dust unmarked by fingerprints. A brush with a red handle was sitting on a white vanity, a Mariah Carey poster hung bowed out and sagging. Ray thought there was something wrong about his going into the padlocked room, and standing in the doorway he wished he hadn’t forced the door. The closet stood open, empty, and he half- heartedly opened a couple of drawers, releasing a shower of dust onto his boots. He turned off the light and backed out.
    He came back downstairs and pulled open more closets. Kicked over a low desk and dumped out the drawers. Retraced his steps back down the hallway and turned left. A door hung on its hinges, the edges clawed. They must have locked the dog in here. He stepped in and covered his nose with his hands and tried to breathe through his mouth. There were piles of shit on the floor, a rubber replica of a rolled- up newspaper with holes chewed in it, a dented metal bowl. There was a cracked window and deep claw marks on the sill. On a table was a stack of plastic bags. He picked one up and dumped it out, and a dozen smaller bags of powder rolled out onto the table and the floor. He swept them back in and looked around for something to carry them in. On the floor was a duffel, and he pulled it open and saw bundles of cash, tens and twenties and hundreds held together with rubber bands. There were more plastic bags jammed with foil packages. He stuck his pistol into his belt and swept the bags from the table messily into the duffel and then hefted the bag with both hands and hustled it out the door. He dragged it out the front door and dropped it on the porch.
    Manny appeared near the porch carrying a can of acetone. He and Ray went back into the kitchen and began dragging the bodies down the hallway and into the front room by the cooker.
    Ray pointed down the hill. “Get the van, I’ll finish this.”
    Manny ran off the porch and down the drive. There was a flash of lightning that lit the whole world, and for one fraction of a second Ray saw everything in a flare of blue white light and black shadow: Manny halfway down the drive, running flat out, the dead man and woman and their horror- movie wounds, the tracks of blood and fluid leading out to the hallway, the footprints, the money, the discarded shotgun, and his own terrible face in an antique mirror over the fireplace. His eyes were huge and white, his hair matted, his mouth

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