smoker. âAre you hurt?â he asks. I must look like Iâve been run into the mud by a bulldozer. Then Zoey comes to stand by my side, and we look like we climbed out of the bowels of the planet.
âNo. Thereâs a body of a little girl. Itâs Jeanie,â I blurt out before I can stop myself. Zoey shoots me a worried glance and throws her arm over my shoulders. Shane chews the inside of his cheek for a moment before turning and surveying the mudslide in front of us. Uniforms are setting up giant fluorescent lights to illuminate the ground.
âWhy donât we get Stella back to her car, and Iâll come out to the lot as soon as I can. I donât think she needs to see this,â he says to Zoey. His expression and tone are loaded. Zoey nods knowingly. They think Iâve lost it. Theyâre probably right. I donât resist as Zoey tows me through the pandemonium of uniforms, equipment, radiochatter, and sopping-wet teenagers. I wonder halfheartedly where Daniel disappeared to.
âDid Sam come back?â I murmur. Zoey smiles sadly at me. She must think Iâm delirious and asking for my old friend. âHe was here earlier,â I squeeze out, but I donât have the energy to explain. Once at the gravel lot, we duck under police tape. Michaela rushes away from where she was in the throes of an argument with a cop. Coleâs close at her heels with her cell out.
âOh my God, are you guys okay? They wouldnât let me through or tell me anything. Itâs a police state out here,â Michaela says, glaring at the uniform over her shoulder.
Zoeyâs eyes donât move from Cole, who can barely contain herself from the full-on rapture attack sheâs having. She points her cell at the flashing lights to snap a photo. I want to tell Zoey that Cole doesnât get whatâs just happened; she doesnât feel the weight of it. âYou are not posting pics of this,â Zoey says, a death threat for disobedience implicit in her tone. Cole mutters a confused apology as Zoey shoulders by her and tucks me in the backseat of my car.
My eyelids are heavy, too heavy to resist; I cave to delicious nothingness. The darkness floods the car, and only after ten or fifteen minutes do I blink to focus on the windshield. The swoosh of the wipers brings me back to the land of the living. Cole watches me from the front seat. We must be cutting through neighborhoods, since a wash of light illuminates her blond mane in intervals as we pass under streetlamps. Cole chews her lip as my torso rocks at the slight pumping of the brakes, signaling that Michaelaâs driving. My headâs cradled in Zoeyâslap, and her fingertips are tracing tiny shapes on my temple.
âI am so, so sorry, S. I didnât realizeâI would never . . .â Cole trails off. My hand fumbles at the center console, trying to pat her arm.
âHey, sleepyhead.â Zoeyâs face is a moon blotting out the rest of the world as she hangs over me. âThereâs nothing to worry about. Weâre taking you home. Michaela told Detective Whatâs-His-Face that he could talk to you in the morning.â
âMmmkay,â I mumble. I let my eyelids flutter shut again, relieved that I can return to the realm of nothingness. They reopen briefly as Dad tiptoes up the stairs, carrying me like he hasnât since I was a baby.
Hushed voices. The creak of the door to my bedroom. The squeak of my mattressâs coils compressing under weight. Soft-sounding words float to me from down a very long tunnel. I swat the sound away, letting their tinny ring fade as sleep pulls me under.
The morning is bright. Too bright for half past six, but I canât coax myself back into that sleepy dreamland where the eeriness of last night is awash with honeyed light and the fluttering of butterfly wings. The rumble of a newscasterâs baritone wafting from downstairs hypnotizes me,
S. J. A. Turney
John Boyko
K. Sterling
Nicholas Smith
M. C. Scott
Vallen Green
Nigel Bird
Brett Adams
Jim Kelly
Clive Cussler