graphic designer’s basement flat.
He parks on the corner of Queen’s Drive.
The hookers are still out, pale girls with corned-beef legs offering blow jobs to men on their way to work.
Ripley and Delpy walk to the door of number 93, ring the bell and wait. Inside, they can hear the sound of vacuuming.
Delpy rings the mobile number the Y2K owner gave them.
No answer.
They wait until the vacuuming’s stopped, then ring the doorbell again. There’s a change in the quality of the silence; a sense that someone inside the flat has become aware of their presence.
There’s more silence, then footsteps in the hallway, the shiny black door opening.
Behind the door is Sheena Kwalingana, a short, elderly black woman with very high hair. She wears an old-fashioned nylon tabard with her firm’s logo embroidered on the breast. She’s wearing flip-flops; she’s laid her shoes outside the flat, neatly arranged next to the welcome mat.
She’s brought the vacuum cleaner to the door with her. She stands in the doorway holding the hose.
Ripley badges her. ‘Sheena Kwalingana?’
‘I don’t live here, son. I’m just working.’
She’s got an accent, pleasantly sing-song. Ripley has to strain a little in order to understand it.
‘I know you don’t live here,’ he says, endlessly polite. He badges her again. ‘I’m DS Ripley, from the Serious Crime Unit at Hobb Lane. This is DC Delpy.’
‘I’m sorry, what?’
‘I wonder if we might step inside?’
Sheena Kwalingana looks at Ripley with great anxiety, glances back over her shoulder. ‘It’s not my house,’ she says. ‘So no. No, you can’t come in. It’s not my house.’
‘Well, we could talk out here . . .’
‘What’s the problem?’
‘Mrs Kwalingana, you’re not in any trouble.’
This only seems to increase her vigilance.
Delpy sighs. Less polite than Ripley. ‘We’re investigating a burglary—’
‘I don’t burgle people.’
‘We’re not suggesting you do. You’re honestly not in any trouble here, Mrs Kwalingana. Really.’
Sheena Kwalingana nods, but says nothing. Her hand is palpating the ridged tube of the vacuum hose; squeezing it, loosening it.
Ripley says, ‘You clean for Tom and Sarah Lambert of 25, Bridgeman Road.’
‘Yes?’
Ripley says nothing for a while, waits for Mrs Kwalingana to speak.
Eventually, she says, ‘Why?’
‘As my colleague mentioned, we’re investigating a break-in at that address.’
Kwalingana squeezes the hose.
Ripley says, ‘Mrs Kwalingana, would you be more comfortable speaking to us at the police station? It’s more private there.’
She stares at Ripley for a long time. ‘Can I have two minutes to finish off?’
‘Two minutes,’ says Ripley. ‘No problem.’
Mrs Kwalingana makes a move to close the door. Very gently but very firmly, Delpy pushes out a hand to hold it open. ‘We’ll wait here.’
Sheena Kwalingana turns her back, mutters to herself.
Then she goes back inside to finish doing the bathroom.
Henry’s son Patrick is twenty years old. He’s lean and delicate-looking, half wild in jeans and a drab, olive combat jacket.
He’s caught eight rabbits in the park. They’re in his special backpack now, writhing and squealing. Leave them long enough, they’ll chew through their bags and start biting on each other like baby sharks in the womb.
Patrick passes through the electric gates and into the huge, overgrown garden. The gates close behind him.
In the quiet there’s the nice sound of drizzle on leaf-fall, fat water dropping from heavy trees, distant traffic. Under it all he can hear the low, miserable squall of a crying baby.
He walks round the back of the house, to the most sheltered part of the garden. He opens heavy corrugated iron doors and steps into the twilight of the long, concrete-floored garage.
He passes the treadmill on which they exercise the dogs, increasing their cardiovascular fitness and their endurance.
He arrives at the wire kennels. The
He parks on the corner of Queen’s Drive.
The hookers are still out, pale girls with corned-beef legs offering blow jobs to men on their way to work.
Ripley and Delpy walk to the door of number 93, ring the bell and wait. Inside, they can hear the sound of vacuuming.
Delpy rings the mobile number the Y2K owner gave them.
No answer.
They wait until the vacuuming’s stopped, then ring the doorbell again. There’s a change in the quality of the silence; a sense that someone inside the flat has become aware of their presence.
There’s more silence, then footsteps in the hallway, the shiny black door opening.
Behind the door is Sheena Kwalingana, a short, elderly black woman with very high hair. She wears an old-fashioned nylon tabard with her firm’s logo embroidered on the breast. She’s wearing flip-flops; she’s laid her shoes outside the flat, neatly arranged next to the welcome mat.
She’s brought the vacuum cleaner to the door with her. She stands in the doorway holding the hose.
Ripley badges her. ‘Sheena Kwalingana?’
‘I don’t live here, son. I’m just working.’
She’s got an accent, pleasantly sing-song. Ripley has to strain a little in order to understand it.
‘I know you don’t live here,’ he says, endlessly polite. He badges her again. ‘I’m DS Ripley, from the Serious Crime Unit at Hobb Lane. This is DC Delpy.’
‘I’m sorry, what?’
‘I wonder if we might step inside?’
Sheena Kwalingana looks at Ripley with great anxiety, glances back over her shoulder. ‘It’s not my house,’ she says. ‘So no. No, you can’t come in. It’s not my house.’
‘Well, we could talk out here . . .’
‘What’s the problem?’
‘Mrs Kwalingana, you’re not in any trouble.’
This only seems to increase her vigilance.
Delpy sighs. Less polite than Ripley. ‘We’re investigating a burglary—’
‘I don’t burgle people.’
‘We’re not suggesting you do. You’re honestly not in any trouble here, Mrs Kwalingana. Really.’
Sheena Kwalingana nods, but says nothing. Her hand is palpating the ridged tube of the vacuum hose; squeezing it, loosening it.
Ripley says, ‘You clean for Tom and Sarah Lambert of 25, Bridgeman Road.’
‘Yes?’
Ripley says nothing for a while, waits for Mrs Kwalingana to speak.
Eventually, she says, ‘Why?’
‘As my colleague mentioned, we’re investigating a break-in at that address.’
Kwalingana squeezes the hose.
Ripley says, ‘Mrs Kwalingana, would you be more comfortable speaking to us at the police station? It’s more private there.’
She stares at Ripley for a long time. ‘Can I have two minutes to finish off?’
‘Two minutes,’ says Ripley. ‘No problem.’
Mrs Kwalingana makes a move to close the door. Very gently but very firmly, Delpy pushes out a hand to hold it open. ‘We’ll wait here.’
Sheena Kwalingana turns her back, mutters to herself.
Then she goes back inside to finish doing the bathroom.
Henry’s son Patrick is twenty years old. He’s lean and delicate-looking, half wild in jeans and a drab, olive combat jacket.
He’s caught eight rabbits in the park. They’re in his special backpack now, writhing and squealing. Leave them long enough, they’ll chew through their bags and start biting on each other like baby sharks in the womb.
Patrick passes through the electric gates and into the huge, overgrown garden. The gates close behind him.
In the quiet there’s the nice sound of drizzle on leaf-fall, fat water dropping from heavy trees, distant traffic. Under it all he can hear the low, miserable squall of a crying baby.
He walks round the back of the house, to the most sheltered part of the garden. He opens heavy corrugated iron doors and steps into the twilight of the long, concrete-floored garage.
He passes the treadmill on which they exercise the dogs, increasing their cardiovascular fitness and their endurance.
He arrives at the wire kennels. The
Similar Books
