copyistâs work and was therefore utterly unprepared for a visit that they received one night in their room.
It was almost midnight. Esteban had gone to bed, and lay gazing out from under the blanket at the candle beside which his brother was working. There was a light tap at the door and Manuel opened to admit a lady heavily veiled, out of breath and nervous. She threw back the scarf from her face and said hurriedly:
âQuick, ink and paper. You are Manuel, yes? You must do a letter for me at once.â
For a moment her glance fell on the two bright eyes that glared at her from the edge of the cot. She murmured: âEu . . . you must excuse me. I know it is late. It was necessary . . . I must come.â Then turning to Manuel, she whispered into his ear: âWrite this: I, the Perichole, am not accustomed to wait at a rendez-vous . Have you finished that? You are only a cholo, and there are better matadors than you, even in Lima. I am half Castilian and there are no better actresses in the world. You shall not have the opportunity âHave you got that?â to keep me waiting again, cholo, and I shall laugh the last, for even an actress does not grow old as fast as a bull-fighter.â
To Esteban in the shadows the picture of Camila leaning over his brotherâs hand and whispering into his ear was complete evidence that a new congeniality had formed such as he would never know. He seemed to shrink away into space, infinitely tiny, infinitely unwanted. He took one more glance at the tableau of love, all the paradise from which he was shut out, and turned his face to the wall.
Camila seized the note the moment it was done, pushed a coin along the table and in a last flurry of black lace, scarlet beads and excited whispers left the room. Manuel turned from the door with his candle. He sat down, put his hands over his ears, his elbows on his knees. He worshipped her. He murmured to himself over and over again that he worshipped her, making of the sound a sort of incantation and an obstacle to thought.
He emptied his mind of everything but a singsong, and it was this vacancy that permitted him to become aware of Estebanâs mood. He seemed to hear a voice that proceeded from the shadows saying: âGo and follow her, Manuel. Donât stay here. Youâll be happy. Thereâs room for us all in the world.â Then the realization became even more intense and he received a mental image of Esteban going a long way off and saying good-bye many times as he went. He was filled with terror; by the light of it he saw that all the other attachments in the world were shadows, or the illusions of fever, even Madre MarÃa del Pilar, even the Perichole. He could not understand why Estebanâs misery should present itself as demanding a choice between him and the Perichole, but he could understand Estebanâs misery, as misery. And at once he sacrificed everything to it, if it can be said we ever sacrifice anything save what we know we can never attain, or what some secret wisdom tells us it would be uncomfortable or saddening to possess. To be sure there was nothing on which Esteban could base a complaint. It was not jealousy, for in their earlier affairs it had never occurred to either of them that their loyalty to one another had been diminished. It was merely that in the heart of one of them there was left room for an elaborate imaginative attachment and in the heart of the other there was not. Manuel could not quite understand this and, as we shall see, he nourished a dim sense of being accused unjustly. But he did understand that Esteban was suffering. In his excitement he groped for a means of holding this brother who seemed to be receding into the distance. And at once, in one unhesitating stroke of the will, he removed the Perichole from his heart.
He blew out the candle and lay down on his bed. He was trembling. He said loud with exaggerated casualness: âWell, thatâs the last
Sarah J. Maas
Lin Carter
Jude Deveraux
A.O. Peart
Rhonda Gibson
Michael Innes
Jane Feather
Jake Logan
Shelley Bradley
Susan Aldous, Nicola Pierce