The Box Garden

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Authors: Carol Shields
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give up what remains of my shattered independence. First it was dinners Eugene paid for; then Seth’s dental care; last spring a holiday for the two of us in San Francisco; now my Pullman. And when I went shopping for a new dress for Toronto, he had wanted to pay for that too.
    I look down at the dress which is really quite comfortable for the train, but like most of my purchases it is proving to be something of a disappointment; a shirt-dress in tangerine knit which, even though it is supposed to be permapress, creases across the lap. It is slightly baggy in the hips and a little snug across the top so that the spaces between the shiny white buttons gap slightly like little orange mouths. And beneath my soft, glossy new hair style of forty-eight hours ago the natural, black, Irish-witch contours are beginning to reassert themselves.
    Still the two of us sitting here could pass for any happily married couple. Eugene, prosperous and healthy in his chocolate, doubleknit sixty dollar pants and lightweight, brown, ribbed pullover, and I, his wife (‘the little wife’ you could almost say if I weren’t so tall) going along for the ride, a little shopping, a little holiday from the kids. That is to say, there is nothing grotesque about us. We are not perhaps a stunning couple; Eugene has a loose fabric-like face and thin, beige, wooly hair cut too short. Without being actually overweight, there is a somewhat loose look around his stomach and hips. And I have my usual rangy, unconfined awkwardness. Nevertheless we are not in any way identifiable as the victims of failed marriages. Nothing gives us away, a fact which seems remarkable to me. Nothing betrays us, nothing sets us apart. And because I never let go of anything if I can help it, I am still wearing the wedding ring, a band of Mexican worked silver, which Watson gave me when I was eighteen.
    Eugene, I’m a little relieved to see, seems to be enjoying the train trip after all. Soon we’ll be getting into the prairies, Saskatchewan, the real prairies where he grew up, and he’s looking exceptionally thoughtful. It may be that he’s thinking about his father again.
    By habit he sees almost everything he does through the double lens of his dead father’s limitations, and these reflections are necessarily rimmed with regret, for his father, a hard-working farmer on a piece of worthless land, lived a life of unrelieved narrowness. “My father never slept in a Pullman,” Eugene may be thinking. “He never made love behind a hairy green curtain going seventy miles an hour through the mountains.” “My father never slept in a tent,” he had thought when he went camping for the first time at the age of twenty-five. “My father never rode in a Citroen, never had a glass of wine with his dinner, never went to a concert, never rode in a subway, never ate a black olive, never skied down a hill, never read Hemingway. My father never had a hundred dollar bill in his pocket. He never wore a ring on his finger in all his life. He never sat in a sauna and watched the steam rising off his chest. He never tipped a bellhop or smoked a cigar. Or watched a tennis match or slept in a waterbed in a fifty-dollar a day room with colour television. For that matter, he died while people were still wondering if there would ever be such a thing as colour television.”
    I am right; Eugene is thinking about his father. After a minute he begins to tell me how his father introduced him to the mystery of sex. Of course, Eugene explains, it was already too late. He was a boy of thirteen at the time, and on a farm there are no such mysteries. “But someone must have told my father that he owed me something more. It might even have been my mother. No, on second thought, I don’t think so. I think he just made up his mind that he should explain everything about sex to his only son.”
    “So he had a long chat with you out in the barn?” I suggest.
    “Oh, no. Better than that. Or worse than that,

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