Read Online The Border of Paradise: A Novel by Esmé Weijun Wang - Free Book Online
Authors: Esmé Weijun Wang
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David, he would find us.”
Quickly Marianne turned around and hustled her solid body down the stoop. I watched the back of her head and its inelegant, lopsided bun travel, bobbing slightly of its own accord, moving like a head gently agreeing yes, but it was only hope, I was frozen,it was only a dream, and I finally called out, sure that she could still hear my voice: “I love you. Write to me.”
WIFE OF DAVID
JIA-HUI (1954–1968)
in translation
I n Mandarin the words for suicide are. In literal terms this means “self-kill.” My husband David has self-killed and it has been four months now. I knew this would happen once I found him crashed to the floor from attempting to hang himself. I knew that it was only a matter of time.
Or yes I knew this when I was first told that he was crazy by his own mother. But who can believe one’s mother-in-law, especially when that mother-in-law refers to you as a souvenir without batting an eyelash, and burns with anger in your presence simply because you exist and have small eyes and skin with the undertone of ripe star fruit. Or yes I knew that he wouldwhile in a penthouse suite in San Francisco, when we were surrounded by luxury and William was in my belly, and I awoke to be confronted with a floor of broken glass. I’m afraid to admit that I was ever so naïve. What other things do I not know, when I thought I knew so much?
David was the one who changed my name. It was Jia-Hui Chen until I was nineteen, and who I was then bears little resemblance to who I am now at thirty-three, with two children and a dead husband who behaved as though we had always lived in this wooden home in these woods, in this former gold mining town like an inserted memory. I am much older, for example, than the Daisy Nowak who walked into Saks Fifth Avenue in the summer of 1954. In the air-conditioned building scented with perfume I stood next to my new white husband, who was willing to spend“two thousand dollars or more” on his wife, whom he called an “Oriental lamb” not only to my ear in passionate love but to anyone willing to indulge him in listening; David, who only knew of money and not of pretty clothes; and I not knowing the ridiculousness of what two thousand American dollars meant, or the extent of David’s irrationality or wealth. But I looked at the salesgirl, whose hair was a helmet of distinct red curls, each a perfect sculpture, and I read in her round face the answer as the corners of her mouth pulled back and her eyes shot the accusation, Who do you think you are?
I emerged from the multi-mirrored dressing room in the first dress, which exposed the soft hollow above my collarbones, and fit at the waist with a full skirt. I felt the flutter that I had known when, at the bar, David first put his scarred hand on my waist. When I felt it through the silk of my dress. (Fatty asked me later if the scarred hand was worse than the white men’s thicketed arms and legs. Was it worse than their pale koi bellies, she wanted to know.) The sight of myself in the multiple mirrors, dressed like a Hollywood starlet out of a song-and-dance magazine, was like seeing a chicken with the head of a lizard. I could never become the girl that the dress was made for, but would be an entirely new creature. I smiled. The black-haired girl in the mirror smiled. Blond David grinned like a child. You think that these details are not important, but they are. In Kaohsiung, as the daughter of a mama-san, I could have had the red-haired woman’s face kicked in by thugs. But as Daisy Nowak, wife of David? I could only smile.
Who are you being an Oriental girl, the daughter of a mama-san and a mob boss father, a young woman who hunted girls to hire like a wolf in the woods.
One might think that a sixteen-year-old girl would be so young as to not have any power or authority over other females, especially ones who were older than she. Let me reassure you that this is not the case. A certain repertoire of
Quickly Marianne turned around and hustled her solid body down the stoop. I watched the back of her head and its inelegant, lopsided bun travel, bobbing slightly of its own accord, moving like a head gently agreeing yes, but it was only hope, I was frozen,it was only a dream, and I finally called out, sure that she could still hear my voice: “I love you. Write to me.”
WIFE OF DAVID
JIA-HUI (1954–1968)
in translation
I n Mandarin the words for suicide are. In literal terms this means “self-kill.” My husband David has self-killed and it has been four months now. I knew this would happen once I found him crashed to the floor from attempting to hang himself. I knew that it was only a matter of time.
Or yes I knew this when I was first told that he was crazy by his own mother. But who can believe one’s mother-in-law, especially when that mother-in-law refers to you as a souvenir without batting an eyelash, and burns with anger in your presence simply because you exist and have small eyes and skin with the undertone of ripe star fruit. Or yes I knew that he wouldwhile in a penthouse suite in San Francisco, when we were surrounded by luxury and William was in my belly, and I awoke to be confronted with a floor of broken glass. I’m afraid to admit that I was ever so naïve. What other things do I not know, when I thought I knew so much?
David was the one who changed my name. It was Jia-Hui Chen until I was nineteen, and who I was then bears little resemblance to who I am now at thirty-three, with two children and a dead husband who behaved as though we had always lived in this wooden home in these woods, in this former gold mining town like an inserted memory. I am much older, for example, than the Daisy Nowak who walked into Saks Fifth Avenue in the summer of 1954. In the air-conditioned building scented with perfume I stood next to my new white husband, who was willing to spend“two thousand dollars or more” on his wife, whom he called an “Oriental lamb” not only to my ear in passionate love but to anyone willing to indulge him in listening; David, who only knew of money and not of pretty clothes; and I not knowing the ridiculousness of what two thousand American dollars meant, or the extent of David’s irrationality or wealth. But I looked at the salesgirl, whose hair was a helmet of distinct red curls, each a perfect sculpture, and I read in her round face the answer as the corners of her mouth pulled back and her eyes shot the accusation, Who do you think you are?
I emerged from the multi-mirrored dressing room in the first dress, which exposed the soft hollow above my collarbones, and fit at the waist with a full skirt. I felt the flutter that I had known when, at the bar, David first put his scarred hand on my waist. When I felt it through the silk of my dress. (Fatty asked me later if the scarred hand was worse than the white men’s thicketed arms and legs. Was it worse than their pale koi bellies, she wanted to know.) The sight of myself in the multiple mirrors, dressed like a Hollywood starlet out of a song-and-dance magazine, was like seeing a chicken with the head of a lizard. I could never become the girl that the dress was made for, but would be an entirely new creature. I smiled. The black-haired girl in the mirror smiled. Blond David grinned like a child. You think that these details are not important, but they are. In Kaohsiung, as the daughter of a mama-san, I could have had the red-haired woman’s face kicked in by thugs. But as Daisy Nowak, wife of David? I could only smile.
Who are you being an Oriental girl, the daughter of a mama-san and a mob boss father, a young woman who hunted girls to hire like a wolf in the woods.
One might think that a sixteen-year-old girl would be so young as to not have any power or authority over other females, especially ones who were older than she. Let me reassure you that this is not the case. A certain repertoire of
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