her head and her hands covering her face while she said her prayer. When she lowered her hands, her eyes, her blue eyes, were filled with tears, and devastation was in her face. That was my mother’s communism. It was something whose promise was so strong that you endured much for it. Like a woman suffering pregnancy and childbirth to get the child. The child would make it worthwhile. The coming of socialism would sanctify those who had suffered. You went out and took your stand, and did what had to be done, not because you expected anything from it, but because someday there would be retribution and you wanted just a little of it to bear your name. If she had been religious like her Mama, she would have conceived this as a memorial plaque on the back of one of the pews in the Synagogue. But she was enlightened, independent, a college graduate, a girl who read and understood, who had joined the radical set at school, had scandalized her mother, had gone to live with her boyfriend when he was drafted and stationed in another city. She was a modern woman.
“Rochelle!” I hear my grandma’s taunt, “Imagine Rochelle!” And then in Yiddish: “Rachel is not good enough for her.”
But this isn’t the couple in the poster. That couple got away. Well funded, and supplied with false passports, they went either to New Zealand or Australia. Or Heaven. In any event, my mother and father, standing in for them, went to their deaths for crimes they did not commit. Or maybe they did committ them. Or maybe my mother and father got away with false passports for crimes they didn’t committ. How do you spell comit? Of one thing we are sure. Everything is elusive. God is elusive. Revolutionary morality is elusive. Justice is elusive. Human character. Quarters for the cigarette machine. You’vegot these two people in the poster, Daniel, now how you going to get them out? And you’ve got a grandma you mention once or twice, but we don’t know anything about her. And some colored man in the basement—what is that all about? What has that got to do with anything?
PEEKSKILL
It is Sunday, a warm Sunday morning in September. Everyne is up early. The phone is ringing. I am admonishhed to hurry up and wash and get dressed. I have to feed stupid Susan while the grownups get dressed. We are into that efficient cooperative use of time, by which it is saved, like money. I hate it when something like this is going on. My mother directs us all like a military commander. Susan takes the bowl of the spoon into her fat cheeks and clutches the shaft of it in her fat hand. She won’t let go. The phone rings again. I am directed to answer the phone. It is someone wanting to know the schedule. Everyone is meeting at our house. At nine-thirty they begin to arrive. The first, of course, is Dr. Mindish, and his wife and giant daughter. I hate Mindish. He seems to me an insincere man. I never believe anything he says. He is my father’s closest friend and the whole family’s dentist. He’s a tall man, balding, with a fat nose and a perpetually unshaved face. His eyes are small and colorless. He speaks with a foreign intonation. His daughter looks just like him, is as tall, has as big a nose, but with long hair hanging down each side of her face. His wife seems like an intruder in their family. “Well,” Mindish says when I answer the door, “they’ve got a new butler.” He’s really funny. As Linda Mindish, the daughter, walks by me, she pokes me in the ribs. Despising myself I smile at Mindish’s lousy wit and flinch from Linda’s hand. She is twelve or thirteen, and very strong.
A while later, the rest of them begin to troop in. Nate Silverstein, and his wife who teaches school downtown. Silverstein is a furrier, a florid man with a hoarse voice. And then Henry Bergman who is a professional musician, primarily afiddler, although good enough on the French horn to play one season with Toscanini’s NBC Symphony. My favorite of my
Jessica Anya Blau
Barbara Ann Wright
Carmen Cross
Niall Griffiths
Hazel Kelly
Karen Duvall
Jill Santopolo
Kayla Knight
Allan Cho
Augusten Burroughs