The Best American Poetry 2013

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Authors: David Lehman
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my best friend in 4th grade chased
    city buses from corner to corner
    Because his cousin’s father could not stop looking
    up at the sky after his return from the war
    Because parataxis is just another way of making ends meet
    Because I have been on a steady diet of words
    since the age of three.
    from Ploughshares

MARK JARMAN
George W. Bush

    Because he felt that Jesus changed his heart
    he listened to his heart and took its counsel.
    When asked if he felt any of that counsel
    had impacted the veterans he rode with
    on a bike trek through hills and river beds—
    some of the men without their limbs but able
    to keep up despite the chafing ghost pain—
    he said how honored he felt to be with them.
    But no, he said, still listening to his heart,
    the heart that Jesus changed, “I bear no guilt.”
    How much is anyone whose heart speaks for him
    responsible for what his heart has told him?
    The occupation of the heart is pumping
    blood, but for some it is to offer counsel,
    especially if it has been so changed
    all that it says must finally be trusted.
    Nested within the lungs, sprouting its branches,
    the heart is not an organ of cognition.
    But some would argue that its power is greater
    than the mind’s even, once the heart is changed.
    And so a change of heart he believed saved him.
    I hope we understand belief like that,
    for there are many we would grant that mystery.
    The challenge is to grant the same to him.
    Perhaps we can remember one of the columnists
    who often wrote as his apologist,
    arguing that a convicted murderer
    must still be executed for her crime,
    even though she had found the Lord in prison.
    Forgiveness was between her and the Lord.
    If we’re outraged at him or at each other,
    who will come between us and our outrage?
    If there’s no guilt to bear, what’s to forgive?
    Our losses are unbearable. Our pain
    will have to be the ghost of our forgiveness.
    from Five Points

LAUREN JENSEN
it’s hard as so much is

    punctuated wrong. honest. human. my uncle
    committed suicide when i was in the sixth grade,
    basement/gun, gun/basement as if
    these things come in a package with the special bonus
    of a cracked open door, cigarette smoke,
    revolving fan. when i think of my uncle i find myself
    trying not to think about my uncle and then
    i think about him even more.
    how at a seminar that discussed “helpful tips
    for a successful interview,” two panelists debated
    whether first and last impressions
    were the most important part of it all, but i find it
    hard to imagine a leather band without a clock,
    a body without its belly or a poem without its middle.
    would “it’s hard as so much is” followed by
    the line i haven’t written yet satisfy (you)
    me? at times i forget to embrace the afternoon,
    only love the morning, only kiss what falls above
    the waist and there are so many parts of the day/body,
    body/day that go untouched and i think it’s because
    in the light i think about what others think
    too much. consider that (me writing) you reading
    this now might be wondering where the “heart” went
    and if this will eventually fit together, function
    how i want, but it won’t. but only because the middles
    are such a necessary mess that i could endlessly sift
    like the second drawer where an incomplete deck
    of playing cards and sewing needles and a ceramic
    monkey with a missing tail and other stuff
    can be found, and it’s the “stuff” that i love the most
    that i often forget, let go. like two summers
    before the gun went in my uncle’s mouth,
    and how his chevron mustache would scratch my face
    and how he would pick me up over his head
    and how his arms held me at my bathing-suited waist.
    from Mid-American Review

A. VAN JORDAN
Blazing Saddles

    Mel Brooks, 1975
    What’s so funny about racism
    is how the racists never get the joke.
    In most settings, racists stick out
    like Count Basie’s Orchestra in

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