Something.
‘Do you have a photo of Brian?’ he asked as he was leaving. ‘A recent one would be best.’ Jim Cant handed him a holiday snap.
‘We went to Crete last summer,’ he explained. ‘It was magic.’ Then, holding the door open for Rebus: ‘Don’t I have to identify him or something?’
Rebus thought of the scrapings which were all that remained of what may or may not have been Brian Cant. He shook his head. ‘I’ll let you know,’ he said. ‘If we need you, we’ll let you know.’
The next day was Sunday, day of rest. Rebus rested in his car, parked fifty yards or so along the road from the gates to West Lodge. He put his radio on, folded his arms and sank down into the driver’s seat. This was more like it. The Hollywood private eye on a stakeout. Only in the movies, a stakeout could be whittled away to a few minutes’ footage. Here, it was measured in a slow ticking of seconds … minutes … quarter hours.
Eventually, the gates opened and a figure hurried out, fairly trotting along the pavement as though released from bondage. Jacqueline Dean was wearing a denim jacket, short black skirt and thick black tights. A beret sat awkwardly on her cropped dark hair and she pressed the palm of her hand to it from time to time to stop it sliding off altogether. Rebus locked his car before following her. He kept to the other side of the road, wary not so much from fear that she might spot him but because C13 might have put a tail on her, too.
She stopped at the local newsagent’s first and came out heavy-laden with Sunday papers. Rebus, making to cross the road, a Sunday-morning stroller, studied her face. What was the expression he’d thought of the first time he’d seen her? Yes, moping . There was still something of that in her liquid eyes, the dark shadows beneath. She was making for the corner shop now. Doubtless she would appear with rolls or bacon or butter or milk. All the things Rebus seemed to find himself short of on a Sunday, no matter how hard he planned.
He felt in his jacket pockets, but found nothing of comfort there, just the photograph of Brian Cant. The window of the corner shop, untouched by the blast, contained a dozen or so personal ads, felt-tipped onto plain white postcards. He glanced at these, and past them, through the window itself to where Jacqueline was making her purchases. Milk and rolls: elementary, my dear Conan Doyle. Waiting for her change, she half-turned her head towards the window. Rebus concentrated on the postcards. ‘Candy, Masseuse’ vied for attention with ‘Pram and carry-cot for sale’, ‘Babysitting considered’, and ‘Lada, seldom used’. Rebus was smiling, almost despite himself, when the door of the shop tinkled open.
‘Jacqueline?’ he said. She turned towards him. He was holding open his ID. ‘Mind if I have a word, Miss Dean?’
Major Dean was pouring himself a glass of Irish whiskey when the drawing-room door opened.
‘Mind if I come in?’ Rebus’s words were directed not at Dean but at Matthews, who was seated in a chair by the window, one leg crossed over the other, hands gripping the arm-rests. He looked like a nervous businessman on an airplane, trying not to let his neighbour see his fear.
‘Inspector Rebus,’ he said tonelessly. ‘I thought I could feel my scalp tingle.’
Rebus was already in the room. He closed the door behind him. Dean gestured with the decanter, but Rebus shook his head.
‘How did you get in?’ Matthews asked.
‘Miss Dean was good enough to escort me through the gate. You’ve changed the guard detail again. She told them I was a friend of the family.’
Matthews nodded. ‘And are you, Inspector? Are you a friend of the family?’
‘That depends on what you mean by friendship.’
Dean had seated himself on the edge of his chair, steadying the glass with both hands. He didn’t seem quite the figure he had been on the day of the explosion. A reaction, Rebus didn’t doubt.
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