bus.â
âLike this?â Daphne shows me what sheâs drawn. Her drawing looks like a bus.
âIt wasnât that long or that high, but it had windows like a bus.â
She changes the height and the length. âBetter?â
âYes.â
She asks questions about the girl. I show her the list I made, tell her about the baby animal eyes.
Daphne draws deep, round, scared eyes on the face of a girl with dark hair.
I mention the ponytail, the scrunchie.
âLetâs bring this girl out of the van. What was she wearing?â
I try to think. All I can remember is the lady grabbing the girlâs hand. I can see the ladyâs arm.
I stand up. âShe had a tattoo!â
âThe girl?â
âThe lady!â
Winnie leans back. âI remember that. It was aflower, like a daisy.â
âWhere?â Daphne holds her pencil, ready.
âJust above the elbow.â I look to Winnie. âRight?â
Daphne draws an arm with a daisy tattoo. She draws a stem.
Winnie shakes her head. âNo stem.â
âThe flower was fuller,â I mention.
Daphne draws that, but it still isnât right. âWhat arm? Left or right?â
âLeft,â I say.
Winnie bites her lip. âIt was right, as I remember.â
Oh boy.
Daphne smiles. âThatâs okay. Was the flower like this?â
We help her make it fuller, but how is this going to help find a girl?
Colors are coming to me now.
The lady had a purple phone.
The girl was wearing white sandals.
The man had gray hair that fell over his ears.
The artist shows us pictures of faces. Some are criminals, I figure, some are famous people.
âWas the girlâs face round, square, long . . . what do you think, Anna?â
Winnie and I decide it was round.
âAnd the color of her eyes?â
âBrown,â Winnie and I say that together.
âWhat language did the lady speak?â
âNot Spanish or French. I know what those sound like.â Winnie didnât hear them speak.
So much is on me!
Can you remember?
No, not anymore!
I donât want to get it wrong!
âShould we take a break?â Daphne asks.
Yes, please.
Mim hands me and Taylor each a bottle of lemonade that has a picture of a man in an old-fashioned hat smiling like he knows a good secretâthe lady heâs with is smiling like the world is an easy place.
A police car pulls upâweâre standing outside the stationâand a big cop gets out. He has two moles on his cheek, his hair is thin on top of his head, he is as tall as my dad, and when he smiles at us he has a space between his two front teeth.
I could go back inside and describe the policeman and the lemonade man and his lady to Daphne and getevery detail right.
But it seems the more I think about the girl, the foggier she becomes.
Â
If they can find you, I promise Iâll be your friend.
Â
âMemoryââMim sighsââis a tricky thing.â
âYou were amazing in there, Anna.â Thatâs Taylor.
I finish my lemonade with a slurp.
âI swear, my brain aches.â Winnie rubs her forehead. âHow are you, Anna?â
âI wish I could remember more.â
âAll you can remember is what you can remember.â
But is it enough?
âWeâve got a lot here.â Daphne shows us the three sketches sheâs made, of the van, the girl, and the lady with the daisy tattoo. âWhat do you think? Have we got it?â
This looks real. I felt like part of me is back there at the library. I can feel the anger of the lady, the girl looking at me.
Why didnât I say something then?
Winnie studies the sketches. âThis is good, Daphne.Very good. And Iâve got another piece. The lady had another tattoo on her calf. Her left calf. It was a spider.â
I never saw that. I get a chill as Daphne tries to draw a spider.
Spiders weave their webs where no one can
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