industrialism was too new and as yet too limited in scope to alter the needs of inner life or to drive away the language, memories, and social structures of the tool-using past. It was possible to contemplate the wonders of a mechanized cotton mill without believing that tradition was entirely useless. In reviewing nineteenth-century American history, one can hear the groans of religion in crisis, of mythologies under attack, of a politics and education in confusion, but the groans are not yet death-throes. They are the sounds of a culture in pain, and nothing more. The ideas of tool-using cultures were, after all, designed to address questions that still lingered in a technocracy. The citizens of a technocracy knew that science and technology did not provide philosophies by which to live, and they clung to the philosophies of their fathers. They could not convince themselves that religion, as Freud summed it up at the beginning of the twentieth century, is nothing but an obsessional neurosis. Nor could they quite believe, as the new cosmology taught, that the universe is the outcome of accidental collocations of atoms. And they continued to believe, as Mark Twain did, that, for all their dependence on machinery, toolsought still to be their servants, not their masters. They would allow their tools to be presumptuous, aggressive, audacious, impudent servants, but that tools should rise above their servile station was an appalling thought. And though technocracy found no clear place for the human soul, its citizens held to the belief that no increase in material wealth would compensate them for a culture that insulted their self-respect.
And so two opposing world-views—the technological and the traditional—coexisted in uneasy tension. The technological was the stronger, of course, but the traditional was there—still functional, still exerting influence, still too much alive to ignore. This is what we find documented not only in Mark Twain but in the poetry of Walt Whitman, the speeches of Abraham Lincoln, the prose of Thoreau, the philosophy of Emerson, the novels of Hawthorne and Melville, and, most vividly of all, in Alexis de Tocqueville’s monumental
Democracy in America
. In a word, two distinct thought-worlds were rubbing against each other in nineteenth-century America.
With the rise of Technopoly, one of those thought-worlds disappears. Technopoly eliminates alternatives to itself in precisely the way Aldous Huxley outlined in
Brave New World
. It does not make them illegal. It does not make them immoral. It does not even make them unpopular. It makes them invisible and therefore irrelevant. And it does so by redefining what we mean by religion, by art, by family, by politics, by history, by truth, by privacy, by intelligence, so that our definitions fit its new requirements. Technopoly, in other words, is totalitarian technocracy.
As I write (in fact, it is the reason why I write), the United States is the only culture to have become a Technopoly. It is a young Technopoly, and we can assume that it wishes not merely to have been the first but to remain the most highly developed. Therefore, it watches with a careful eye Japan andseveral European nations that are striving to become Technopolies as well.
To give a date to the beginnings of Technopoly in America is an exercise in arbitrariness. It is somewhat like trying to say, precisely, when a coin you have flipped in the air begins its descent. You cannot see the exact moment it stops rising; you know only that it has and is going the other way. Huxley himself identified the emergence of Henry Ford’s empire as the decisive moment in the shift from technocracy to Technopoly, which is why in his brave new world time is reckoned as BF (Before Ford) and AF (After Ford).
Because of its drama, I am tempted to cite, as a decisive moment, the famous Scopes “monkey” trial held in Dayton, Tennessee, in the summer of 1925. There, as with Galileo’s heresy trial
And so two opposing world-views—the technological and the traditional—coexisted in uneasy tension. The technological was the stronger, of course, but the traditional was there—still functional, still exerting influence, still too much alive to ignore. This is what we find documented not only in Mark Twain but in the poetry of Walt Whitman, the speeches of Abraham Lincoln, the prose of Thoreau, the philosophy of Emerson, the novels of Hawthorne and Melville, and, most vividly of all, in Alexis de Tocqueville’s monumental
Democracy in America
. In a word, two distinct thought-worlds were rubbing against each other in nineteenth-century America.
With the rise of Technopoly, one of those thought-worlds disappears. Technopoly eliminates alternatives to itself in precisely the way Aldous Huxley outlined in
Brave New World
. It does not make them illegal. It does not make them immoral. It does not even make them unpopular. It makes them invisible and therefore irrelevant. And it does so by redefining what we mean by religion, by art, by family, by politics, by history, by truth, by privacy, by intelligence, so that our definitions fit its new requirements. Technopoly, in other words, is totalitarian technocracy.
As I write (in fact, it is the reason why I write), the United States is the only culture to have become a Technopoly. It is a young Technopoly, and we can assume that it wishes not merely to have been the first but to remain the most highly developed. Therefore, it watches with a careful eye Japan andseveral European nations that are striving to become Technopolies as well.
To give a date to the beginnings of Technopoly in America is an exercise in arbitrariness. It is somewhat like trying to say, precisely, when a coin you have flipped in the air begins its descent. You cannot see the exact moment it stops rising; you know only that it has and is going the other way. Huxley himself identified the emergence of Henry Ford’s empire as the decisive moment in the shift from technocracy to Technopoly, which is why in his brave new world time is reckoned as BF (Before Ford) and AF (After Ford).
Because of its drama, I am tempted to cite, as a decisive moment, the famous Scopes “monkey” trial held in Dayton, Tennessee, in the summer of 1925. There, as with Galileo’s heresy trial
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