Miriam, the word resounding shrilly from the hall. “Open this door.”
“Go away,” said Mrs. Miller.
“Please hurry … I have a heavy package.”
“Go away,” said Mrs. Miller. She returned to the living room, lighted a cigarette, sat down and calmly listened to the buzzer; on and on and on. “You might as well leave. I have no intention of letting you in.”
Shortly the bell stopped. For possibly ten minutes Mrs. Miller did not move. Then, hearing no sound, she concluded Miriam had gone. She tiptoed to the door and opened it a sliver; Miriam was half-reclining atop a cardboard box with a beautiful French doll cradled in her arms.
“Really, I thought you were never coming,” she said peevishly. “Here, help me get this in, it’s awfully heavy.”
It was not spell-like compulsion that Mrs. Miller felt, but rather a curious passivity; she brought in the box, Miriam the doll. Miriam curled up on the sofa, not troubling to remove her coat or beret, and watched disinterestedly as Mrs. Miller dropped the box and stood trembling, trying to catch her breath.
“Thank you,” she said. In the daylight she looked pinched and drawn, her hair less luminous. The French doll she was loving wore an exquisite powdered wig and its idiot glass eyes sought solace in Miriam’s. “I have a surprise,” she continued. “Look into my box.”
Kneeling, Mrs. Miller parted the flaps and lifted out another doll; then a blue dress which she recalled as the one Miriam had worn that first night at the theatre; and of the remainder she said, “It’s all clothes. Why?”
“Because I’ve come to live with you,” said Miriam, twisting a cherry stem. “Wasn’t it nice of you to buy me the cherries …?”
“But you can’t! For God’s sake go away—go away and leave me alone!”
“… and the roses and the almond cakes? How really wonderfully generous. You know, these cherries are delicious. The last place I lived was with an old man; he was terribly poor and we never had good things to eat. But I think I’ll be happy here.” She paused to snuggle her doll closer. “Now, if you’ll just show me where to put my things …”
Mrs. Miller’s face dissolved into a mask of ugly red lines; she began to cry, and it was an unnatural, tearless sort of weeping, as though, not having wept for a long time, she had forgotten how. Carefully she edged backward till she touched the door.
She fumbled through the hall and down the stairs to a landing below. She pounded frantically on the door of the first apartment she came to; a short, redheaded man answered and she pushed past him. “Say, what the hell is this?” he said. “Anything wrong, lover?” asked a young woman who appeared from the kitchen, drying her hands. And it was to her that Mrs. Miller turned.
“Listen,” she cried, “I’m ashamed behaving this way but—well, I’m Mrs. H. T. Miller and I live upstairs and …” She pressed her hands over her face. “It sounds so absurd.…”
The woman guided her to a chair, while the man excitedly rattled pocket change. “Yeah?”
“I live upstairs and there’s a little girl visiting me, and I suppose that I’m afraid of her. She won’t leave and I can’t make her and—she’s going to do something terrible. She’s already stolen my cameo, but she’s about to do something worse—something terrible!”
The man asked, “Is she a relative, huh?”
Mrs. Miller shook her head. “I don’t know who she is. Her name’s Miriam, but I don’t know for certain who she is.”
“You gotta calm down, honey,” said the woman, stroking Mrs. Miller’s arm. “Harry here’ll tend to this kid. Go on, lover.” And Mrs. Miller said, “The door’s open—5A.”
After the man left, the woman brought a towel and bathed Mrs. Miller’s face. “You’re very kind,” Mrs. Miller said. “I’m sorry to act like such a fool, only this wicked child …”
“Sure honey,” consoled the woman. “Now, you better
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